Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 54
... masculine panache which she delights to display in the boy Ganymede . Theatrical disguise robs courtship of the artificial exaggeration of masculine and feminine difference sustained in the skirmishes between Phoebe and Silvius . Yet ...
... masculine panache which she delights to display in the boy Ganymede . Theatrical disguise robs courtship of the artificial exaggeration of masculine and feminine difference sustained in the skirmishes between Phoebe and Silvius . Yet ...
Seite 55
... masculine woman . One way was to juxtapose the woman in disguise with the ef- feminate male adult actor . Middleton's Lactantio in More Dissemblers Besides Women is a typical Jaco- bean courtier , ' This perfum'd parcel of curl'd powder ...
... masculine woman . One way was to juxtapose the woman in disguise with the ef- feminate male adult actor . Middleton's Lactantio in More Dissemblers Besides Women is a typical Jaco- bean courtier , ' This perfum'd parcel of curl'd powder ...
Seite 63
... masculine prerogatives are based on custom , not nature , since a woman can indeed successfully assume masculine positions of authority . " 1 Portia's actions are not aimed at letting her occupy a man's place indefinitely , how- ever ...
... masculine prerogatives are based on custom , not nature , since a woman can indeed successfully assume masculine positions of authority . " 1 Portia's actions are not aimed at letting her occupy a man's place indefinitely , how- ever ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young