Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 90
Seite 78
... marriage to Octavia as he earlier fled " Egyptian fetters " ( I.ii.117 ) . " The institution of marriage serves in the comedies to qualify romance , to incorporate sexuality , and to rec- oncile individual passion with the social order ...
... marriage to Octavia as he earlier fled " Egyptian fetters " ( I.ii.117 ) . " The institution of marriage serves in the comedies to qualify romance , to incorporate sexuality , and to rec- oncile individual passion with the social order ...
Seite 88
... marriage to cement the alliance or hopes that it will give him an excuse to break it , and whether he thinks the marriage will satisfy Octavia or consciously sacrifices her to political ends , its political function is clear . For ...
... marriage to cement the alliance or hopes that it will give him an excuse to break it , and whether he thinks the marriage will satisfy Octavia or consciously sacrifices her to political ends , its political function is clear . For ...
Seite 151
... marriage in these comedies , of course . He simply lets marriage symbolize the ideal accommodation of eros with soci- ety , and the continuation of both lineage and personal identity into posterity . Yet at the same time he never fails ...
... marriage in these comedies , of course . He simply lets marriage symbolize the ideal accommodation of eros with soci- ety , and the continuation of both lineage and personal identity into posterity . Yet at the same time he never fails ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young