Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 55
... look like men but that they both look like girls . Young men wore their hair long , as Barnaby Rich had bitterly complained . When Julia disguises herself as a boy Lucetta reminds her to cut her hair , but she replies : No , girl , I'll ...
... look like men but that they both look like girls . Young men wore their hair long , as Barnaby Rich had bitterly complained . When Julia disguises herself as a boy Lucetta reminds her to cut her hair , but she replies : No , girl , I'll ...
Seite 229
... Look in your glass , and there appears a face That overgoes my blunt invention quite , Dulling my lines , and doing me disgrace . Were it not sinful then , striving to mend , To mar the subject that before was well ? For to no other ...
... Look in your glass , and there appears a face That overgoes my blunt invention quite , Dulling my lines , and doing me disgrace . Were it not sinful then , striving to mend , To mar the subject that before was well ? For to no other ...
Seite 380
... look up . " Performers or directors might make sense out of " look up " by having Julia lower her head or her gaze , but a swoon implies a state of abject helplessness.14 But if Julia continues to play the cheeky boy rather than the ...
... look up . " Performers or directors might make sense out of " look up " by having Julia lower her head or her gaze , but a swoon implies a state of abject helplessness.14 But if Julia continues to play the cheeky boy rather than the ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young