Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 56
... less moral keenness and less honesty when the subterfuge is discovered . In Ford's The Lover's Melancholy , or Brome's A Mad Couple Well Match'd , or Suckling's Brennoralt or Shirley's The Sisters , ladies disappointed by suitors turned ...
... less moral keenness and less honesty when the subterfuge is discovered . In Ford's The Lover's Melancholy , or Brome's A Mad Couple Well Match'd , or Suckling's Brennoralt or Shirley's The Sisters , ladies disappointed by suitors turned ...
Seite 225
... less convenient . Shakespeare could not hang such contradictory arguments upon him . Not only the first seventeen sonnets work in this way , or the golden youth . The lady is a convenience too , as well as a tramp . Youth and lady fail ...
... less convenient . Shakespeare could not hang such contradictory arguments upon him . Not only the first seventeen sonnets work in this way , or the golden youth . The lady is a convenience too , as well as a tramp . Youth and lady fail ...
Seite 313
... less patient with the defects of Two Gentlemen be- cause none of its characters are as vivid as Berowne or the Princess . Julia rises to poignancy in several scenes ; Silvia does not seem to wear well ; Proteus is unpleas- ant and ...
... less patient with the defects of Two Gentlemen be- cause none of its characters are as vivid as Berowne or the Princess . Julia rises to poignancy in several scenes ; Silvia does not seem to wear well ; Proteus is unpleas- ant and ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young