Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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... Identity Masculine Identity Androgyny : Crossdressing and Disguise Gender and Genre Further Reading The Merchant of Venice Introduction .... Overviews .... Gender Identity , Roles , and Relations . Shakespeare's Portrayal of Shylock ...
... Identity Masculine Identity Androgyny : Crossdressing and Disguise Gender and Genre Further Reading The Merchant of Venice Introduction .... Overviews .... Gender Identity , Roles , and Relations . Shakespeare's Portrayal of Shylock ...
Seite 34
... identity , but the polarized definitions of sexual identity held by his culture . Furthermore , through their rival- ries , Coriolanus and Macbeth reenact the basic am- bivalence of their sexual identities ; their efforts to surpass and ...
... identity , but the polarized definitions of sexual identity held by his culture . Furthermore , through their rival- ries , Coriolanus and Macbeth reenact the basic am- bivalence of their sexual identities ; their efforts to surpass and ...
Seite 377
... identity as Sebastian also underscored the boy actor's resumption of his own identity ( or whatever version of that identity he used to play a cheeky page ) . At the same time , this complex of boy actor and Lylian page inhabited the ...
... identity as Sebastian also underscored the boy actor's resumption of his own identity ( or whatever version of that identity he used to play a cheeky page ) . At the same time , this complex of boy actor and Lylian page inhabited the ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young