Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 186
... heart.36 Or partially solved . Why , one wonders , is Antonio's breast the spot most pleasing to Shylock ? And why , for the sake of accuracy , wouldn't Shylock cut out rather than " cut off " a pound of flesh if it were to come from ...
... heart.36 Or partially solved . Why , one wonders , is Antonio's breast the spot most pleasing to Shylock ? And why , for the sake of accuracy , wouldn't Shylock cut out rather than " cut off " a pound of flesh if it were to come from ...
Seite 188
... heart . " Seeing how struck Harrington is by this revelation , Mr. Montenero mag- nanimously offers that " perhaps his was only the Jew- ish version of the story , and he quickly went on to another subject . " Edgeworth adds her own ...
... heart . " Seeing how struck Harrington is by this revelation , Mr. Montenero mag- nanimously offers that " perhaps his was only the Jew- ish version of the story , and he quickly went on to another subject . " Edgeworth adds her own ...
Seite 189
... heart , " and " The Lord thy God will cir- cumcise thine heart . " Mornay , in Sidney's transla- tion , also notes that when the Old Testament prophets " rebuke us , they call us not simply uncircumcised , but uncircumcised of heart or ...
... heart , " and " The Lord thy God will cir- cumcise thine heart . " Mornay , in Sidney's transla- tion , also notes that when the Old Testament prophets " rebuke us , they call us not simply uncircumcised , but uncircumcised of heart or ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young