Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 79
Seite 5
... final moments . Antony's botched suicide , his suggestive inaccuracy in the plac- ing of his sword , is redeemed as Cleopatra takes the asp to her breast , mothering it like the stupendous vision of Antony to which she gives birth in ...
... final moments . Antony's botched suicide , his suggestive inaccuracy in the plac- ing of his sword , is redeemed as Cleopatra takes the asp to her breast , mothering it like the stupendous vision of Antony to which she gives birth in ...
Seite 164
... final use of legal terminology to recall her appearance in the courtroom , and perhaps to allow the performer a momentary re- version to Balthazar : Let us go in And charge us there upon inter'gatories And we will answer all things ...
... final use of legal terminology to recall her appearance in the courtroom , and perhaps to allow the performer a momentary re- version to Balthazar : Let us go in And charge us there upon inter'gatories And we will answer all things ...
Seite 232
... final conceit about inherit- ance ; it opens up wider images of the horror of life leading to death : Thy unused beauty must be tombed with thee , Which used lives th ' executor to be . The irresistibility of the process by which ...
... final conceit about inherit- ance ; it opens up wider images of the horror of life leading to death : Thy unused beauty must be tombed with thee , Which used lives th ' executor to be . The irresistibility of the process by which ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young