Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 43
... fear of en- gulfment or absorption by them ; he who follows such desire in order to become a man becomes , in effect , a slave . The crown itself does not spur Macbeth and his wife on , nor the " greatness " broadly associated with it ...
... fear of en- gulfment or absorption by them ; he who follows such desire in order to become a man becomes , in effect , a slave . The crown itself does not spur Macbeth and his wife on , nor the " greatness " broadly associated with it ...
Seite 44
... fear him he does - out of envy . Banquo combines " wisdom " with valor as Macbeth has not , and acts in the " safety " that Macbeth has exchanged for fear ; he is Macbeth's ideal self image , the man of conscience as well as courage ...
... fear him he does - out of envy . Banquo combines " wisdom " with valor as Macbeth has not , and acts in the " safety " that Macbeth has exchanged for fear ; he is Macbeth's ideal self image , the man of conscience as well as courage ...
Seite 47
... fears and envies in Macduff , as his repeated invocation of the Second Apparition's motto indicates , being intended to charm that fear away . When these mighty opposites finally meet , Macbeth first confesses his fear ( " Of all men ...
... fears and envies in Macduff , as his repeated invocation of the Second Apparition's motto indicates , being intended to charm that fear away . When these mighty opposites finally meet , Macbeth first confesses his fear ( " Of all men ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young