Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 105
... critics as one of Shakespeare's " problem plays , " in that it raises moral dilemmas it does not resolve . The major ... critics have suggested that the actions of the Christians - the way they speak about and to Shylock , and the way ...
... critics as one of Shakespeare's " problem plays , " in that it raises moral dilemmas it does not resolve . The major ... critics have suggested that the actions of the Christians - the way they speak about and to Shylock , and the way ...
Seite 178
... critics who see Shylock as no more than a stereotyped vil- lain . For these critics , what his sympathizers regard as Shakespeare's plea for Shylock's essential human- ity ( the " Hath not a Jew eyes " speech [ III . i . 59 ff . ] ) is ...
... critics who see Shylock as no more than a stereotyped vil- lain . For these critics , what his sympathizers regard as Shakespeare's plea for Shylock's essential human- ity ( the " Hath not a Jew eyes " speech [ III . i . 59 ff . ] ) is ...
Seite 245
... critics , like poets , attempt to resolve the coexistence of contradictions : they unchain the synchrony of an oxymoron and project its respec- tive components onto the diachrony of narrative.34 Arguably a more general impulse towards ...
... critics , like poets , attempt to resolve the coexistence of contradictions : they unchain the synchrony of an oxymoron and project its respec- tive components onto the diachrony of narrative.34 Arguably a more general impulse towards ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young