Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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... characters to fatuous musings on their creator himself : we are invited to ponder not only Rosalind's happy hours in her forest of Arden , but Shakespeare's in his . A positively unwholesome curiosity about the author's erotic ...
... characters to fatuous musings on their creator himself : we are invited to ponder not only Rosalind's happy hours in her forest of Arden , but Shakespeare's in his . A positively unwholesome curiosity about the author's erotic ...
Seite 11
... characters . If we see the actor- as - character - as - actor - as Rosalind succeeding or fail- ing to play Ganymede - remembering the boy - actor convention adds another dimension of awareness of gender as construction to both jokes ...
... characters . If we see the actor- as - character - as - actor - as Rosalind succeeding or fail- ing to play Ganymede - remembering the boy - actor convention adds another dimension of awareness of gender as construction to both jokes ...
Seite 28
... characters rarely appear unaccompanied by males . Stage practice does not in this simply mime social restrictions on women's freedom of movement , but reveals its dependence on the narrowed range of difference at its disposal . The all ...
... characters rarely appear unaccompanied by males . Stage practice does not in this simply mime social restrictions on women's freedom of movement , but reveals its dependence on the narrowed range of difference at its disposal . The all ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young