Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 182
... castration or emascu- lation . This association has undoubtedly been influ- enced by the theories of Sigmund Freud , who , in an argument that bears a striking resemblance to Maria Edgeworth's ideas about childhood trauma and the ...
... castration or emascu- lation . This association has undoubtedly been influ- enced by the theories of Sigmund Freud , who , in an argument that bears a striking resemblance to Maria Edgeworth's ideas about childhood trauma and the ...
Seite 191
... castration . If we venture to carry our conjectures back to the primaeval days of the human race we can surmise that originally circumci- sion must have been a milder substitute , designed to take the place of castration " ( vol . 11 ...
... castration . If we venture to carry our conjectures back to the primaeval days of the human race we can surmise that originally circumci- sion must have been a milder substitute , designed to take the place of castration " ( vol . 11 ...
Seite 350
... castration , Proteus is completing Valentine's project of withdrawing phallic power from her and with it her elevation , privilege , and voice . When Valentine sees Proteus erupt into a violence in which he himself is implicated , the ...
... castration , Proteus is completing Valentine's project of withdrawing phallic power from her and with it her elevation , privilege , and voice . When Valentine sees Proteus erupt into a violence in which he himself is implicated , the ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young