Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 54
... Rosalind because Beatrice never looks like a man , so Shakespeare can afford to have her , as More would have wished , talk and think like one . Rosalind , who looks like one , is all vivacity , spirit , speed , susceptibility and fancy ...
... Rosalind because Beatrice never looks like a man , so Shakespeare can afford to have her , as More would have wished , talk and think like one . Rosalind , who looks like one , is all vivacity , spirit , speed , susceptibility and fancy ...
Seite 69
... ROSALIND : I would cure you if you would but call me Rosalind , and come every day to my cote and woo me . ORLANDO : With all my heart , good youth . ROSALIND : Nay , you must call me Rosalind . ( III.ii.446 ) As You Like It has two ...
... ROSALIND : I would cure you if you would but call me Rosalind , and come every day to my cote and woo me . ORLANDO : With all my heart , good youth . ROSALIND : Nay , you must call me Rosalind . ( III.ii.446 ) As You Like It has two ...
Seite 96
... Rosalind emblematizes the male adversarial experience of the world of nature . The sign of Orlando's wounding by the lioness , it intrudes the reality of death into Arden : et in Arcadia ego . Because of it Rosalind discovers how ...
... Rosalind emblematizes the male adversarial experience of the world of nature . The sign of Orlando's wounding by the lioness , it intrudes the reality of death into Arden : et in Arcadia ego . Because of it Rosalind discovers how ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young