Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 243
... Lady who is celebrated as " lovely and .. temperate " ( 1.2 ) ? The tortured and tortuous love staged in the later sonnets may be but one of several responses to her . And the image of the Dark Lady herself which emerges from the final ...
... Lady who is celebrated as " lovely and .. temperate " ( 1.2 ) ? The tortured and tortuous love staged in the later sonnets may be but one of several responses to her . And the image of the Dark Lady herself which emerges from the final ...
Seite 260
... lady , but it is less radically threatening . Just as it is possible for the " large and spacious " lady to think all her lovers " but one , and me in that one , " so the fair youth , too , is a place where the elite meet . " All love's ...
... lady , but it is less radically threatening . Just as it is possible for the " large and spacious " lady to think all her lovers " but one , and me in that one , " so the fair youth , too , is a place where the elite meet . " All love's ...
Seite 356
... lady more logical . To make the sacrifice even more acceptable , Elyot also adds the greater love of Titus and the acquiescence of the lady . While almost everything in Elyot makes us feel some logic in the behavior of his characters ...
... lady more logical . To make the sacrifice even more acceptable , Elyot also adds the greater love of Titus and the acquiescence of the lady . While almost everything in Elyot makes us feel some logic in the behavior of his characters ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young