Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 147
... Antonio herself rather than being sacrificed for him . " This bond doth give thee here no jot of blood ; / The words expressly are ' a pound of flesh " " ( 4.1.304-5 ) . Thus reading very literally the words that Shylock and Antonio ...
... Antonio herself rather than being sacrificed for him . " This bond doth give thee here no jot of blood ; / The words expressly are ' a pound of flesh " " ( 4.1.304-5 ) . Thus reading very literally the words that Shylock and Antonio ...
Seite 199
... Antonio is a big operator , but also suggests that he is overextending himself . When noted at all , this overextension is usually taken as a mere donnée of the plot , yet the play offers answers if we seek to know why Antonio should ...
... Antonio is a big operator , but also suggests that he is overextending himself . When noted at all , this overextension is usually taken as a mere donnée of the plot , yet the play offers answers if we seek to know why Antonio should ...
Seite 201
... Antonio , and evidently can raise no money except from loving and forbearing friends ; Antonio has ventured his clearly very considerable fortune at sea or has generously given it away ; Bassanio offers him a chance to recoup an ...
... Antonio , and evidently can raise no money except from loving and forbearing friends ; Antonio has ventured his clearly very considerable fortune at sea or has generously given it away ; Bassanio offers him a chance to recoup an ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young