Cadmon, xlii.

Campbell, Thomas, 248, 278.

Campion, Thomas, xlii, 233, 244,

253, 259.

Careless Shepherdess, The, 233,
265.

Carew, Thomas, xi; quoted, xii,
xxxiv; xiii, xv, xxii, xxiii, xxvii,
xxxiii; contrasted with Herrick,
xxxiv-xlii; his religious lyrics,
xxxiv; occasional verse, xxxv;
a poet of the court, xxxvi; re-
served temper, xxxvii; vers de
société, xxxix; his trochaic octo-
syllabics, xlii; xlv, lii, lxiv, lxv,
lxvii; authorship confused with
Shirley, 231, 232; 235, 236, 240,
241, 246, 249, 252, 253, 260,
262, 266, 267, 279.
Carey, Lucius, Lord Falkland,
xxi, xxiii.

Carlyle, Thomas, lxiii.

Carmen Deo Nostro, 268.
Cartwright, William, xxii, xxiii,
xxxiii, lv, lix, lxv, 249, 257, 266,
280.

Castara, xxii, 1, 240.

Catullus, xiii, 234.

Celestina, 239.

strictive, xxxiii; of Carew and

Herrick, xxxv; theories as to
the origin of, lx.
Claudian, 251.

Cleodora, 256.

Cleomenes, 285.

Clieveland, John, xxii; quoted,
xxix, xli; lix.

Coleridge, Samuel Taylor, 276.
Collection of Poems, A, Lans-
downe, 286.
Collier, J. P., 246.
Comedies,

Tragi-Comedies, and
Other Poems, Cartwright, 257.
Comus, xvii, 243, 244, 246, 271.
Conceit, The Seventeenth Century
fondness for, xxvii; early use
by Sidney, xxviii; illustrations
of, xxix, xxxiii, xli; varieties of,
xxix; not wholly referable to
Donne, xxx; Donne's use of,
and Crashaw's distinguished,
Xxx, xxxiii; Cowley's use of,
xxxiii, lxiv, 231, 237, 260, 263.
Congreve, William, quoted, lxviii;
286.

Conservative reaction in literature,
lx; its value and meaning, lxiii;
lxv.

Constable, Henry, xlvii.

Contention of Ajax and Ulysses,
The, 256.

Corbet, Richard, 277.
Cota, Rodrigo, 239.

Cotton, Charles, xv, xl, lix ; his
debt to Carew and Walton, lxiv;
231, 251, 275, 276, 279, 283.
Cowley, Abraham, xxiii, xxv, xxvi,
xxvii-xxix; quoted, xxxiii; lii,
liv; long career, lx; great re-
pute, lxiv; eclecticism, ib.; rela-

tion to Donne, ib.; lxv, 231,
247, 250, 251, 265, 276, 283.
Crashaw, Richard, xv; quoted,
xxxi; his use of conceit con-
trasted with Donne's, xxxi-
xxxiii; xlv, xlvii; at Cambridge,
li; artistic and devotional tem-
per, ib.; goes over to Rome, lii;
rhapsodic nature of his poetry,
ib., liii; liv, lvii, lx, lxv, 237, 250,
258, 259, 261, 263, 268, 269, 279.
Criticism, Eighteenth Century, of
conceit, xxiv.

Cromwell, Oliver, 272–274.
Cupid and Death, 274.

Darwin, Erasmus, 231.
Davenant, Sir William, xxiii,
xxxiii, xxxvi, lxiv, 246, 262, 279,
282.

Dekker, Thomas, xx, xxiii, 229,
230.

Delights of the Muses, The, li, 263.
Denham, Sir John, lxiv.

De Quincey, Thomas, quoted, xiii ;
xxvii, xxxiii.

Donne, John, xi, xv; character of
his poetry, xix, xxiii; xxii; his
imitators, xxiii; xxiv, xxv; con-
tempt for form, xxiv; his satires,
xxvi; xxvii; quoted, xxx; use
of conceit, xxx, xxxi; contrasted
with Crashaw, xxxii; xxxiv-
xxxvi, lvii, lxv, lxvi, 231, 232,
235, 237, 240, 241, 251, 257, 258,
262, 263, 265-267, 277.
Dorset, Earl of, xxii, xxv, lxviii,
280, 282.

Dowden, Professor, 231.
Drayton, Michael, xvi, lxv, 232,
244, 245, 247, 252, 261.

Drummond, William, lxvii, 244.
Drury, Mr., his ed. of Waller,
quoted, 247, 248, 284; 264, 265;
his life of Katherine Philips,
quoted, 280.

Dryden, John, xiii; quoted, xxv,
xxvi, xxix; xxvii; practice of
devotional poetry, liv; range of
subject contrasted with Jonson
and Pope, lxi; follows Jonson
in the employment of occasional
verse, satire, and criticism, ib.;
his lyrics, ib., lxii, lxviii; lxiv-
lxvi, 231, 242, 249, 271, 280–283,
285, 286.

Duke of Guise, The, 283.
D'Urfey, Tom, xx, 285.

Dyce, A., ed. of Shirley, 232, 236.

Egerton MS., 235.

Elizabethan literature, Nature of,
ix;
contrasted with Seventeenth
Century literature, ix, x.

Elizabethan Lyrics, A Book of, ix,

229, 233, 240, 247, 256, 260, 279.
Elizabeth, Queen, ix, xiv, et passim.
Emblems Divine and Moral, xlix,
248, 249, 258.

Emperor of the East, The, 238.
English Gentlewoman, The, 238.
Etheridge, Sir George, 280.
Euripides, 261, 277.
Evelyn, John, 282.
Evening's Love, An, 281.

Faery Queen, The, xviii, 243, 245,
246, 285.

Fairfax, Edward, lxv, lxvii, 274.
Fairfax, Lord, 270, 273.
Faithful Shepherdess, The, 243,

245.

Father's Testament, A, 269.
Fenton's Waller, 230, 231, 248, 265.
Ferrar, Nicholas, xlvi, li, 241.
Flatman, Thomas, lxvii, 277, 278.
Fleay, Mr. F. G., 229, 230, 256.
Fletcher, Dr. Giles, xvi, 269.
Fletcher, Dr. Joseph, 269.
Fletcher, Giles, the younger, 269.
Fletcher, John, xx, 238, 243, 245,
253, 268, 269.

Fletcher, Phineas, xvi, 269.

Ford, John, xx, xxii, 229, 230, 232,
233.

Forde, Thomas, 268.
Fragmenta Aurea, 260.

Hale, Professor E. E., Jr., his ed. of
Herrick, lv, 233-235, 252, 254,
256, 261, 263.
Haleluiah, 256.

Hales, Professor, xxv.
Hallam, Henry, 277.

Hannah, Dr., ed. of Raleigh, 260;
Courtly Poets, 268.
Harrington, Henry, 277.
Hausted, Peter, 239.

Hawkins's History of Music, 243.
Hazlitt, Mr. W. C., ed. of Carew,
xxii, 232, 246, 253; Herrick,
235; Randolph, 247.,

Hazlitt, William, xiii.

Henrietta Maria, Queen, 231, 250,
258.

Herbert, George, xv, xxiii, xxxiii,

xlv; delivery of his Temple,
xlvi; xlvii; his popularity, 1; li ;
purity of spirit, Puritanism and
self-restraint, lii; contrasted with
Crashaw, ib.; quoted, liii; 241,
242, 262, 269.

Herrick, Robert, xi, xiii, xv, xxii;
quoted, xxiii, xxxvii, xl, xli;
contrasted with Carew, xxxiv-
xlii; his religious lyrics, xxxiv,
xlv, liii; love of nature, xxxv,
xxxvi; occasional verse, xxxvi;
Hedonism, xxxviii; constructive
excellence, xlii; metrical invent-
iveness, ib.; lii, lvi, 233, 234,
235, 240, 247, 252, 254, 255, 258,
261, 264, 268, 270, 279.
Hesiod, 244.

Hesperides, 233, 252, 254, 264, 268
xi, xxxvi.

Heywood, Thomas, xxiii.
Hilton, John, 235.

Holburn Drollery, 253. ·

Horace, xiii, 251.

Howard, Sir Robert, 280.

Howell, James, xxii, xxiii, 257, 263,

277.

Hudibras, 282.

Hugo, Herman, 249.

Imposture, The, 256.
Indian Emperor, The, 280.
Indian Queen, The, 280.
Ingelow, Jean, 249, 258.

James I, ix, xiv, et passim.
Johnson, Dr., his critique of 'the
metaphysical poets,' xxiv, xxv;
286, xxvi, lxiv.
Jones, Inigo, 239.

Jonson, Ben, xi, xv; his manner
in poetry, xviii-xx; his influence,

ib.;
his classicism, xix, xxxiii;
literary dictatorship, xxi; the
'sons of Ben,' xxi-xxiii, 255;
xxxiv-xxxvi, xl, lv; use of occa-
sional verse, lxi; his lyrics; ib.;
his influence on the subject-
matter of later poetry, ib., 229,
232, 235, 238, 241, 244, 252, 254,
265, 277, 280.

Jonsonus Virbius, xxi, xxii, 268, 277.
Jovial Crew, The, or The Merry

Beggars, 259.

Juvenal, xxv, lv, lxii.

Keats, xiii, xlii.

Killegrew, Sir William, 280.

King, Henry, Bishop, xxi, xxiii,

xliii, lix, 277.

King Arthur, Dryden's, 285.
Kittredge, Professor, 242, 249, 259,
272, 285.

Knox, John, 242.

Lover's Melancholy, The, 233.
Lover's Watch, The, 284.
Love's Labyrinth, 268.
Loyal Garland, The, 282.
Lucasta, Epodes, Odes, Sonnets, and
Songs, 266.

Lucky Chance, The, 284.
Lucretius, 245.
Lyly, John, xx, 279.
Lyric, The seventeenth century,
justification of the secular, xiii;
poetic influences upon the, xv-
xx, xlii; the secular, xxxiv-xlii;
the devotional, xlii-lix; decline
of the, lxvii; becomes conven-
tional, ib.; artificial and insin-
cere, lxviii.

Mabbe, James, 239.

Magister, Thomas, 261.

Malherbe, lxvi.

Manlius, 254.

Marlowe's Lust's Dominion, 282.

Marmion, Shakerley, xxi.

Martial, Epigrams, xi, 238.

Marvell, Andrew, xv, xl; his poetic
period, liv; devotional verse,
ib.; love of nature, his religious
pastorals, ib.; lvi, lviii, lix, lxiv,
253, 270, 271, 272, 281.
Massinger, Philip, xx, 238.
Masson, Professor D., Life of
Milton, 234, 237, 245, 246,
277.

May, Thomas, xx, xxi, 230.
Mayne, Jasper, xxii, 257, 268.
Merry Beggars, The, 259.
'Metaphysical Poets,' The, xxiv-
xxvi.

Middleton, Thomas, 280.

Milton, John, xiii; his position as
a world poet, xiv; his artistic
purpose, ib.; Spenser's influence
on, xvi-xviii; classical allusion,
xvii, xviii, 244; scholarship,
xviii; religious poetry, xlii, xlvii;
power of artistic sincerity, ib.;
liv, Ivi, lviii-lxi, lxiv, 234-238,
242-246, 261-264, 267, 270-275,
277, 282.

Miscellanies of Cowley, 276; of
Dryden, 285.

Miscellany, The Devotional, xlvii.
Miscellany, The Poetical, xx, xxi.
Mistress, The, 265.
Molière, 281.

Monk, General, 252.
Montrose, Marquess of, lix, 268.
More, Henry, 283.

Morley, Professor, ed. of Herbert,

xlvi; ed. of Peele, 267.
Morley's First Book of Madrigals,
252.

Mulberry Garden, The, 280.
Murray, Dr., xxvii.

Musarum Deliciae, 241.

Musica Antiqua, 230.
Mysticism, Religious, lvii.

Napier's Montrose and the Cove-
nanters, 268.

Nashe, Thomas, 241, 244.
Nature, Love of, in poetry, xiv,
xxiii, xxxv, xl, liv, lvi, lxiv.
New Inn, The, 235.

New Miscellany of Poems, A, 282.
Nichols, J., 229.

Nicholson, Dr., 271, 272.
Noble Numbers, liii, 255.
Norris, John, lviii, lxvii, 283.
Northern Lass, The, 238.
Notes and Queries, 252, 253.