Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 Seiten |
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Seite 319
... truth , and " comes in such a questionable shape , " backed with the appear- ance of an identical proposition , that it would require a long train of facts and labored argu- ments to do away the impression , even if we were sure of the ...
... truth , and " comes in such a questionable shape , " backed with the appear- ance of an identical proposition , that it would require a long train of facts and labored argu- ments to do away the impression , even if we were sure of the ...
Seite 349
... truth of Imagination- What the imagination seizes as Beauty must be truth ... The Imagina- tion may be compared to Adam's dream - he awoke and found it truth . I am the more zealous in this affair , because I have never yet been able to ...
... truth of Imagination- What the imagination seizes as Beauty must be truth ... The Imagina- tion may be compared to Adam's dream - he awoke and found it truth . I am the more zealous in this affair , because I have never yet been able to ...
Seite 352
... truth , the transmitting of truth into a special medium and under special circumstances . And if Coleridge said that " the immediate " end of Poetry is pleasure rather than truth , he made it very plain that the ultimate end of poetry ...
... truth , the transmitting of truth into a special medium and under special circumstances . And if Coleridge said that " the immediate " end of Poetry is pleasure rather than truth , he made it very plain that the ultimate end of poetry ...
Inhalt
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Urheberrecht | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing