Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 Seiten |
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Seite 17
... tragedy . It is regarded as desirable in an ideal or " perfect tragedy . arranged not on the simple but complex plan " : a tragedy in which the calamity does not simply descend from above , but emerges as a closely interconnected series ...
... tragedy . It is regarded as desirable in an ideal or " perfect tragedy . arranged not on the simple but complex plan " : a tragedy in which the calamity does not simply descend from above , but emerges as a closely interconnected series ...
Seite 22
... Tragedy . The iambic measure then replaced the trochaic tetrameter , which was originally em- ployed when the poetry ... Tragedy in so far as it is an imitation in verse of characters of a higher type . They differ , in that Epic poetry ...
... Tragedy . The iambic measure then replaced the trochaic tetrameter , which was originally em- ployed when the poetry ... Tragedy in so far as it is an imitation in verse of characters of a higher type . They differ , in that Epic poetry ...
Seite 121
... Tragedy , into Acts , distin- guisht each by a Chorus of Heavenly Harpings and Song between . Heretofore Men in highest dignity have labour'd not a little to be thought able to compose a Tragedy . Of that honor Dio- nysius the elder was ...
... Tragedy , into Acts , distin- guisht each by a Chorus of Heavenly Harpings and Song between . Heretofore Men in highest dignity have labour'd not a little to be thought able to compose a Tragedy . Of that honor Dio- nysius the elder was ...
Inhalt
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Urheberrecht | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing