Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 Seiten |
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... theory , and tended to re- strict some of its premises , was the deliberate use of classical authority as a model . To imitate the Iliad , as an eighteenth - century critic said , is not to imitate Homer ; for Homer did not himself sit ...
... theory , and tended to re- strict some of its premises , was the deliberate use of classical authority as a model . To imitate the Iliad , as an eighteenth - century critic said , is not to imitate Homer ; for Homer did not himself sit ...
Seite 271
... theory did not , however , fall into a com- plete skeptical relativism . On the contrary , in eighteenth - century England , this empirical- mindedness served to liberalize neoclassic theory in the most salutary way . For under the ...
... theory did not , however , fall into a com- plete skeptical relativism . On the contrary , in eighteenth - century England , this empirical- mindedness served to liberalize neoclassic theory in the most salutary way . For under the ...
Seite 274
... theory of the imagination - and one of the out- standing contributions of English critical theory -was that which stressed the sympathetic abil- ity of the imagination to identify itself with its object . The mind , as if by infection ...
... theory of the imagination - and one of the out- standing contributions of English critical theory -was that which stressed the sympathetic abil- ity of the imagination to identify itself with its object . The mind , as if by infection ...
Inhalt
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Urheberrecht | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing