Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 Seiten |
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Seite 270
... romantic di- chotomy of " imaginative " and " rational " art as a dichotomy between " naturalness " and " arti- ficiality . " Here , too , the values in question are still current at the present day . Various themes in literature and in ...
... romantic di- chotomy of " imaginative " and " rational " art as a dichotomy between " naturalness " and " arti- ficiality . " Here , too , the values in question are still current at the present day . Various themes in literature and in ...
Seite 561
... romantic showing a subjective withdrawal from reality into an art of sentimental stock responses , while abstractionism continues this withdrawal but protests against the senti- mentality of the romantic and seeks to substitute instead ...
... romantic showing a subjective withdrawal from reality into an art of sentimental stock responses , while abstractionism continues this withdrawal but protests against the senti- mentality of the romantic and seeks to substitute instead ...
Seite 566
... romantic ; the one which regards him as a very finite and fixed creature , I call the classical . One may note here ... romantic and classical in verse . I can only say that it means the result of these two attitudes towards the cosmos ...
... romantic ; the one which regards him as a very finite and fixed creature , I call the classical . One may note here ... romantic and classical in verse . I can only say that it means the result of these two attitudes towards the cosmos ...
Inhalt
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Urheberrecht | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing