Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 Seiten |
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Seite 275
... interest in psychology with a gifted imagination that could offer the concrete ex- ample of direct experience with poetry . The systematic study of psychology , however , did become profitably used in Germany at the close of the ...
... interest in psychology with a gifted imagination that could offer the concrete ex- ample of direct experience with poetry . The systematic study of psychology , however , did become profitably used in Germany at the close of the ...
Seite 409
... interest comes into play . But this sort of interest which we take in nature is only possible under two conditions . First the object that inspires us with this feeling must be really nature , or something we take for nature ; secondly ...
... interest comes into play . But this sort of interest which we take in nature is only possible under two conditions . First the object that inspires us with this feeling must be really nature , or something we take for nature ; secondly ...
Seite 446
... interest in themselves , and which are to be communicated in an interesting manner by the art of the Poet . Vainly will the latter imagine that he has every- thing in his own power ; that he can make an intrinsically inferior action ...
... interest in themselves , and which are to be communicated in an interesting manner by the art of the Poet . Vainly will the latter imagine that he has every- thing in his own power ; that he can make an intrinsically inferior action ...
Inhalt
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Urheberrecht | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing