Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 Seiten |
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Seite 477
... ideas to life is the most essential part of poetic greatness . I said that a great poet receives his distinctive character of superiority from his application , under the conditions immutably fixed by the laws of poetic beauty and ...
... ideas to life is the most essential part of poetic greatness . I said that a great poet receives his distinctive character of superiority from his application , under the conditions immutably fixed by the laws of poetic beauty and ...
Seite 580
... ideas , adjust themselves to it rather than vice versa . The loading may be legitimate ; the quan- tity of evidence , its immediacy , the extent and complexity of the supporting systems of ideas are obvious forms of legitimate loading ...
... ideas , adjust themselves to it rather than vice versa . The loading may be legitimate ; the quan- tity of evidence , its immediacy , the extent and complexity of the supporting systems of ideas are obvious forms of legitimate loading ...
Seite 581
The Major Texts Walter Jackson Bate. ideas : namely , physical thory . These ideas are thereby weighted beyond the power of irrecon- cilable ideas to disturb them . Anyone who under- stands them cannot help believing in them , and ...
The Major Texts Walter Jackson Bate. ideas : namely , physical thory . These ideas are thereby weighted beyond the power of irrecon- cilable ideas to disturb them . Anyone who under- stands them cannot help believing in them , and ...
Inhalt
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Urheberrecht | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing