Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 Seiten |
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Seite 248
... exist side by side , or whose parts so exist , are called bodies . Consequently bodies with their visible properties are the pecul- iar subjects of painting . Objects which succeed each other , or whose parts succeed each other in time ...
... exist side by side , or whose parts so exist , are called bodies . Consequently bodies with their visible properties are the pecul- iar subjects of painting . Objects which succeed each other , or whose parts succeed each other in time ...
Seite 352
... exist quite apart from truth , and considered any critic " theory - mad " who tries to reconcile " the obstinate oils and waters of Poetry and Truth . " Poe's standpoint illus- trates an attitude that is one of the by - products of ...
... exist quite apart from truth , and considered any critic " theory - mad " who tries to reconcile " the obstinate oils and waters of Poetry and Truth . " Poe's standpoint illus- trates an attitude that is one of the by - products of ...
Seite 387
... exists an instinct of growth , a certain collective , unconscious good sense working progressively to desynonymize ... exist- ences of two faculties generally different , the nomenclature would be at once determined . To the faculty by ...
... exists an instinct of growth , a certain collective , unconscious good sense working progressively to desynonymize ... exist- ences of two faculties generally different , the nomenclature would be at once determined . To the faculty by ...
Inhalt
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Urheberrecht | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing