Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 Seiten |
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... emotion ; and it does the first in order to ac- complish the second . It is , in short , a controlling and directing of emotion . Whereas Plato , in the Republic , had adversely criticized poetry because it " feeds and waters the ...
... emotion ; and it does the first in order to ac- complish the second . It is , in short , a controlling and directing of emotion . Whereas Plato , in the Republic , had adversely criticized poetry because it " feeds and waters the ...
Seite 528
... emotion . Great va- riety is possible in the process of transmutation of emotion : the murder of Agamemnon , or the agony of Othello , gives an artistic effect appar- ently closer to a possible original than the scenes from Dante . In ...
... emotion . Great va- riety is possible in the process of transmutation of emotion : the murder of Agamemnon , or the agony of Othello , gives an artistic effect appar- ently closer to a possible original than the scenes from Dante . In ...
Seite 583
... emotion , there are senses in which a fact about the emotion , not about our feelings about it , is meant . Sincere emotions , we say , are genuine or authentic , as opposed to spurious emotions , and the several senses which we may ...
... emotion , there are senses in which a fact about the emotion , not about our feelings about it , is meant . Sincere emotions , we say , are genuine or authentic , as opposed to spurious emotions , and the several senses which we may ...
Inhalt
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Urheberrecht | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing