Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 Seiten |
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Seite ix
... criticism as a whole . Still , it is hoped that the present volume has adequately represented at least the more obvious guiding influences in the criticism of the past half century . Another governing consideration has been the ...
... criticism as a whole . Still , it is hoped that the present volume has adequately represented at least the more obvious guiding influences in the criticism of the past half century . Another governing consideration has been the ...
Seite 279
... criticism , collec- tions of modern critical writing are both rare and , in their selections , brief . General anthologies in- clude : Criticism : the Foundations of Modern Literary Judgment ( ed . Mark Schorer , J. Miles , and G ...
... criticism , collec- tions of modern critical writing are both rare and , in their selections , brief . General anthologies in- clude : Criticism : the Foundations of Modern Literary Judgment ( ed . Mark Schorer , J. Miles , and G ...
Seite 574
... Criticism ( 1924 ) . The immediate impact of this book cannot be appreciated unless it is recalled that , since the middle of the nineteenth century , psychological criticism in England had subsided to such an extent that , to critics ...
... Criticism ( 1924 ) . The immediate impact of this book cannot be appreciated unless it is recalled that , since the middle of the nineteenth century , psychological criticism in England had subsided to such an extent that , to critics ...
Inhalt
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing