Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 Seiten |
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... character and thought ; for it is by these that we qualify actions themselves , and these- thought and character - are the two natural causes from which actions spring , and on ac- tions again all success or failure depends . 6 . Hence ...
... character and thought ; for it is by these that we qualify actions themselves , and these- thought and character - are the two natural causes from which actions spring , and on ac- tions again all success or failure depends . 6 . Hence ...
Seite 272
... character portrayal has always been a dominant concern of the writer himself . Finally , in the portraying of character itself , not the general , the " type , ' so much as the unique and the individual have been the focus of attention ...
... character portrayal has always been a dominant concern of the writer himself . Finally , in the portraying of character itself , not the general , the " type , ' so much as the unique and the individual have been the focus of attention ...
Seite 289
... character , and their modifying of each other - constitute a primary aspect of concrete truth . Art , in its highest ... character . Like Coleridge , or like the youthful Keats underlining passages in Shakespeare , Hazlitt had the ...
... character , and their modifying of each other - constitute a primary aspect of concrete truth . Art , in its highest ... character . Like Coleridge , or like the youthful Keats underlining passages in Shakespeare , Hazlitt had the ...
Inhalt
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Urheberrecht | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing