Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 Seiten |
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Seite 272
... century critic held this as a more central concept than did Hazlitt , and it was taken over from Hazlitt and vividly if briefly phrased in the letters of Keats . The aim of art , in short , is to capture the fluid , almost intangible ...
... century critic held this as a more central concept than did Hazlitt , and it was taken over from Hazlitt and vividly if briefly phrased in the letters of Keats . The aim of art , in short , is to capture the fluid , almost intangible ...
Seite 273
... century English and French writers , supple- mented by the direct influence of Herder , were carried further by Madame de Staël at the begin- ning of the nineteenth century , especially in her study of the relation of literature to ...
... century English and French writers , supple- mented by the direct influence of Herder , were carried further by Madame de Staël at the begin- ning of the nineteenth century , especially in her study of the relation of literature to ...
Seite 331
... century English literature . Actually Wordsworth , in many respects , simply used and built upon attitudes common in eighteenth - century English thought . Even his conception of nature may be viewed as a development in a tradition that ...
... century English literature . Actually Wordsworth , in many respects , simply used and built upon attitudes common in eighteenth - century English thought . Even his conception of nature may be viewed as a development in a tradition that ...
Inhalt
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Urheberrecht | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing