The Works of Shakespeare ..., Band 26Bobbs-Merrill Company, 1924 |
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Seite xix
... tion and chose for his great central scene the rejection of Hero at the altar . In this scene all the characters are faced with a crisis , not unexpected by some , horrible to others in its sudden and shattering cruelty . As would ...
... tion and chose for his great central scene the rejection of Hero at the altar . In this scene all the characters are faced with a crisis , not unexpected by some , horrible to others in its sudden and shattering cruelty . As would ...
Seite xxi
... tion of the prisoners is delayed through his inability to The same adverse criticism , in stronger terms , may be applied to the parallel scene in Die Schoene Phaenicia , where Tymborus is tricked by a still cruder device , realize the ...
... tion of the prisoners is delayed through his inability to The same adverse criticism , in stronger terms , may be applied to the parallel scene in Die Schoene Phaenicia , where Tymborus is tricked by a still cruder device , realize the ...
Seite 3
... tion to remain and merely omitted to erase the name of a character which 3 did not enter his plan " ( see on 12 infra , and Introd . , p . xvi ) . This is possible ; had the mother of Hero once been included in the scheme of the drama ...
... tion to remain and merely omitted to erase the name of a character which 3 did not enter his plan " ( see on 12 infra , and Introd . , p . xvi ) . This is possible ; had the mother of Hero once been included in the scheme of the drama ...
Seite 21
... tion of Boas , the for my , seems to me entirely satisfactory . It affords an excellent solution of the difficulty , felt on even a casual reading of the play , clearly stated by Spedding as follows ( New Shakes . Soc . Transactions ...
... tion of Boas , the for my , seems to me entirely satisfactory . It affords an excellent solution of the difficulty , felt on even a casual reading of the play , clearly stated by Spedding as follows ( New Shakes . Soc . Transactions ...
Seite 22
... tion of Scene i . , clears up the difficulty . In this opening scene Benedick and Claudio linger behind in the orchard ; the prince returns to them there ; he and Claudio have their conversation and are overheard and misunderstood by ...
... tion of Scene i . , clears up the difficulty . In this opening scene Benedick and Claudio linger behind in the orchard ; the prince returns to them there ; he and Claudio have their conversation and are overheard and misunderstood by ...
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Häufige Begriffe und Wortgruppen
answer appear bear Beat Beatrice Bene Benedick better Book Bora Borachio brother called Capell Claud Claudio clear Collier comes Count cousin dance daughter death Dict Don John Don Pedro doth Dyce edition editors Enter Exeunt expression eyes faith fashion Folio followed Friar given gives hand Hanmer hath hear heart Henry Hero husband John kind King lady Leon Leonato look lord Margaret marry master meaning never night omitted original passage Pedro play Pope pray present prince probably quotes reading reason reference Rowe scene seems sense Shakes Shakespeare Signior song speak speech stage Steevens story suggests sure sweet tell thee Theobald thing thou thought tion tongue true turn Verg W. A. Wright Watch wear word
Beliebte Passagen
Seite 75 - Of every hearer; for it so falls out That what we have we prize not to the worth Whiles we enjoy it, but being lack'd and lost, Why, then we rack the value, then we find The virtue that possession would not show us Whiles it was ours.
Seite 67 - I have railed so long against marriage: But doth not the appetite alter? A man loves the meat in his youth, that he cannot endure in his age: Shall quips, and sentences, and these paper bullets of the brain, awe a man from the career of his humour? No: The world must be peopled. When I said, I would die a bachelor, I did not think I should live till I were married.— Here comes Beatrice : By this day, she's a fair lady : I do spy some marks of love in her.
Seite 39 - Friendship is constant in all other things Save in the office and affairs of love : Therefore all hearts in love use their own tongues ; Let every eye negotiate for itself, And trust no agent : for beauty is a witch, Against whose charms faith melteth into blood.
Seite 86 - Why then, take no note of him, but let him go ; and presently call the rest of the watch together, and thank God you are rid of a knave.