Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 15Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 79
Seite 216
... theatrical ele- ments , including scenery , properties , costumes , invisible music , and other aural effects . According to the Morning Post ( 2 July 1857 ) on opening night Kean made the follow- ing appeal to his audience : The kind ...
... theatrical ele- ments , including scenery , properties , costumes , invisible music , and other aural effects . According to the Morning Post ( 2 July 1857 ) on opening night Kean made the follow- ing appeal to his audience : The kind ...
Seite 285
... theatrical illusion in the play . The set was completely restored when the magician entreated the audience's applause in the epilogue , demonstrating that theatrical illusion only works in concert with the imagi- nation . The production ...
... theatrical illusion in the play . The set was completely restored when the magician entreated the audience's applause in the epilogue , demonstrating that theatrical illusion only works in concert with the imagi- nation . The production ...
Seite 305
... theatrical spectacle . Nilan concludes that by the early twentieth century , commen- tators began to recognize " the producers of less highly theatrical revivals as the true ' innovators . ' " ] The history of The Tempest on the English ...
... theatrical spectacle . Nilan concludes that by the early twentieth century , commen- tators began to recognize " the producers of less highly theatrical revivals as the true ' innovators . ' " ] The history of The Tempest on the English ...
Inhalt
Cymbeline | 1 |
Pericles | 127 |
The Tempest | 185 |
Urheberrecht | |
2 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actors actress appeared Ariel audience beautiful Belarius Brook brothel Caliban cast character Charles Charles Kean Cloten comedy comic costume Covent Garden critic Cymbeline dance daughter director dramatic Drury Lane effect Ellen Terry enchanted essay date feeling Ferdinand Garrick Gielgud Gower Guiderius Helen Faucit Henry Hermione human Iachimo imagination Imogen island John John Gielgud Kean Kean's Kemble King Leontes lines London look Lysimachus Macready Macready's magic Marina masque ment Miranda Miss never Old Vic Paulina Perdita performance Pericles Peter Phelps Pisanio play's plot poetry Posthumus praise present production Prospero Queen review date revival role Roman Royal Shakespeare Company scene scenery scenic seems Shake Shakespeare Shakespeare's plays ship song speak speare's spectacle speech spirit stage Stephano storm story Stratford Strehler's Tempest Terry Thaisa Theatre theatrical thing thou tion Trewin Trinculo William Winter's Tale words young