Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 15Gale Research Company, 1984 |
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Seite 173
... seems to have seized on this jerkiness and attempted to make a vir- tue of it . Martin Duncan , playing Gower has turned the narrations into clockwork parodies and the jerky music makes them even more inpenetrable . They are only ...
... seems to have seized on this jerkiness and attempted to make a vir- tue of it . Martin Duncan , playing Gower has turned the narrations into clockwork parodies and the jerky music makes them even more inpenetrable . They are only ...
Seite 356
... seem to war- rant an interval , this seems the best place . Certainly it can come no later , for two - thirds of the play is already done . Some producers put it at the end of III . i , but this breaks the continuity of the sub - plot ...
... seem to war- rant an interval , this seems the best place . Certainly it can come no later , for two - thirds of the play is already done . Some producers put it at the end of III . i , but this breaks the continuity of the sub - plot ...
Seite 487
... seems to be a Chinese magician , and delivers the long speech that Shakespeare has credited to ' Time , the Cho- rus ' . Still , they are liberties , big liberties , and it's as well that they have a function . John Barton , who directs ...
... seems to be a Chinese magician , and delivers the long speech that Shakespeare has credited to ' Time , the Cho- rus ' . Still , they are liberties , big liberties , and it's as well that they have a function . John Barton , who directs ...
Inhalt
Cymbeline | 1 |
Pericles | 127 |
The Tempest | 185 |
Urheberrecht | |
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