Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 15Gale Research Company, 1984 |
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Seite 182
... lines simply to tighten the scene . As it is , they seem to spend a long time on stage complaining ! Gascon commented that the first two acts were too verbose and the imagery was not that exciting so he was " a bit brutal " with them ...
... lines simply to tighten the scene . As it is , they seem to spend a long time on stage complaining ! Gascon commented that the first two acts were too verbose and the imagery was not that exciting so he was " a bit brutal " with them ...
Seite 205
... lines were omitted and only fourteen added . The largest cuts took place in the conversation between Alonzo , Antonio , Gonzalo , and Se- bastian [ II . i . 9-112 ] ; in the conspiracy between Antonio and Sebastian to murder Alonzo [ II ...
... lines were omitted and only fourteen added . The largest cuts took place in the conversation between Alonzo , Antonio , Gonzalo , and Se- bastian [ II . i . 9-112 ] ; in the conspiracy between Antonio and Sebastian to murder Alonzo [ II ...
Seite 351
... lines and are placed as near as may be in the spaces left by the shorter lines . Accordingly , all mod- ern editions . . . print the scene ( lines 214-222 ) as follows : Domitia appears at the window Cæsar . I sing her praise ? ' Tis ...
... lines and are placed as near as may be in the spaces left by the shorter lines . Accordingly , all mod- ern editions . . . print the scene ( lines 214-222 ) as follows : Domitia appears at the window Cæsar . I sing her praise ? ' Tis ...
Inhalt
Cymbeline | 1 |
Pericles | 127 |
The Tempest | 185 |
Urheberrecht | |
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