Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 15Gale Research Company, 1984 |
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Seite 125
... critic also remarks on Payne's masque - like staging and Joyce Bland's performance as Imogen . Review of Cymbeline . The Times ( 19 February 1946 ) : 2 . Comments on Donald Wolfit and Christopher Ede's staging of Cymbeline at London's ...
... critic also remarks on Payne's masque - like staging and Joyce Bland's performance as Imogen . Review of Cymbeline . The Times ( 19 February 1946 ) : 2 . Comments on Donald Wolfit and Christopher Ede's staging of Cymbeline at London's ...
Seite 232
... critic asserts that even Gielgud's eloquent in- terpretation of Prospero could not redeem the character or the play from long - winded tedium . The critic con- tends , moreover , that Oliver Messel's setting failed to capture the play's ...
... critic asserts that even Gielgud's eloquent in- terpretation of Prospero could not redeem the character or the play from long - winded tedium . The critic con- tends , moreover , that Oliver Messel's setting failed to capture the play's ...
Seite 307
... critic for the New York Herald objected to this em- phasis on theatricality , stressing that in The Tempest the text was more important than any scenic or pantomimic representation : The ship scene as Shakespeare wrote it , word for ...
... critic for the New York Herald objected to this em- phasis on theatricality , stressing that in The Tempest the text was more important than any scenic or pantomimic representation : The ship scene as Shakespeare wrote it , word for ...
Inhalt
Cymbeline | 1 |
Pericles | 127 |
The Tempest | 185 |
Urheberrecht | |
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actors actress appeared Ariel audience beautiful Belarius Brook brothel Caliban cast character Charles Charles Kean Cloten comedy comic costume Covent Garden critic Cymbeline dance daughter director dramatic Drury Lane effect Ellen Terry enchanted essay date feeling Ferdinand Garrick Gielgud Gower Guiderius Helen Faucit Henry Hermione human Iachimo imagination Imogen island John John Gielgud Kean Kean's Kemble King Leontes lines London look Lysimachus Macready Macready's magic Marina masque ment Miranda Miss never Old Vic Paulina Perdita performance Pericles Peter Phelps Pisanio play's plot poetry Posthumus praise present production Prospero Queen review date revival role Roman Royal Shakespeare Company scene scenery scenic seems Shake Shakespeare Shakespeare's plays ship song speak speare's spectacle speech spirit stage Stephano storm story Stratford Strehler's Tempest Terry Thaisa Theatre theatrical thing thou tion Trewin Trinculo William Winter's Tale words young