Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 15Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 88
Seite 117
... course it need not be ) with the inner stage revealed ; the Dutchman and Span- iard , at any rate , will better serve such purpose as they do serve seated and in the background . We then come back to Cymbeline's Court , and , once there ...
... course it need not be ) with the inner stage revealed ; the Dutchman and Span- iard , at any rate , will better serve such purpose as they do serve seated and in the background . We then come back to Cymbeline's Court , and , once there ...
Seite 309
... course that Tree's innovations involved business rather than scenery . While he had as many individual settings ( twelve ) as Kean had had fifty years earlier , still , with the exception of the opening shipwreck sequence , there was a ...
... course that Tree's innovations involved business rather than scenery . While he had as many individual settings ( twelve ) as Kean had had fifty years earlier , still , with the exception of the opening shipwreck sequence , there was a ...
Seite 448
... course , in the sense that it is new in West End productions of Shake- speare — is not a merely topographical trick of stage man- agement . There were precious moments in the Savoy The- atre on Saturday when it was possible to be ...
... course , in the sense that it is new in West End productions of Shake- speare — is not a merely topographical trick of stage man- agement . There were precious moments in the Savoy The- atre on Saturday when it was possible to be ...
Inhalt
Cymbeline | 1 |
Pericles | 127 |
The Tempest | 185 |
Urheberrecht | |
2 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actors actress appeared Ariel audience beautiful Belarius Brook brothel Caliban cast character Charles Charles Kean Cloten comedy comic costume Covent Garden critic Cymbeline dance daughter director dramatic Drury Lane effect Ellen Terry enchanted essay date feeling Ferdinand Garrick Gielgud Gower Guiderius Helen Faucit Henry Hermione human Iachimo imagination Imogen island John John Gielgud Kean Kean's Kemble King Leontes lines London look Lysimachus Macready Macready's magic Marina masque ment Miranda Miss never Old Vic Paulina Perdita performance Pericles Peter Phelps Pisanio play's plot poetry Posthumus praise present production Prospero Queen review date revival role Roman Royal Shakespeare Company scene scenery scenic seems Shake Shakespeare Shakespeare's plays ship song speak speare's spectacle speech spirit stage Stephano storm story Stratford Strehler's Tempest Terry Thaisa Theatre theatrical thing thou tion Trewin Trinculo William Winter's Tale words young