Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 15Gale Research Company, 1984 |
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Seite 118
... beginning in these five acts ? It is dangerous to dogmatise . Let us put down the pros and cons as they occur . For what , dramatically , do the five acts of the Folio stand ? The first is preparatory , and its end leaves us expectant ...
... beginning in these five acts ? It is dangerous to dogmatise . Let us put down the pros and cons as they occur . For what , dramatically , do the five acts of the Folio stand ? The first is preparatory , and its end leaves us expectant ...
Seite 174
... beginning a broad wink , takes to the farce with gusto . What a relief . By Act IV we are hissing the vil- lainess . Ultz's production takes no pains to discover a de- livery appropriate to the play's progress , quite the oppo- site ...
... beginning a broad wink , takes to the farce with gusto . What a relief . By Act IV we are hissing the vil- lainess . Ultz's production takes no pains to discover a de- livery appropriate to the play's progress , quite the oppo- site ...
Seite 513
... beginning to re- veal themselves . ' Over conscious and literal ' , he had nei- ther ' the enjoyment nor mock dignity ' of ' the pattern of pickpockets ' [ Weekly Despatch , 10 October 1858 ] , though Phelps gave him all the support ...
... beginning to re- veal themselves . ' Over conscious and literal ' , he had nei- ther ' the enjoyment nor mock dignity ' of ' the pattern of pickpockets ' [ Weekly Despatch , 10 October 1858 ] , though Phelps gave him all the support ...
Inhalt
Cymbeline | 1 |
Pericles | 127 |
The Tempest | 185 |
Urheberrecht | |
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