Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 15Gale Research Company, 1984 |
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Seite 232
... Prospero . Gielgud portrayed the magician as a Renaissance intellectual and , contrary to the pre- vailing perception of Prospero as elderly , a man in the prime of life . According to most critics , his verse- speaking was flawless and ...
... Prospero . Gielgud portrayed the magician as a Renaissance intellectual and , contrary to the pre- vailing perception of Prospero as elderly , a man in the prime of life . According to most critics , his verse- speaking was flawless and ...
Seite 366
... Prospero . But if Prospero is played as a mature but still passionate man , and if in the earlier scenes he is clearly animated by a formidable desire to punish his enemies , several interest- ing and dramatically valuable things occur ...
... Prospero . But if Prospero is played as a mature but still passionate man , and if in the earlier scenes he is clearly animated by a formidable desire to punish his enemies , several interest- ing and dramatically valuable things occur ...
Seite 389
... Prospero abruptly breaks off the masque , aware suddenly of the ' foul conspiracy / Of the beast Caliban and his con- federates ' [ IV . i . 139-40 ] . But , before turning to that busi- ness , he takes time to deliver one of the ...
... Prospero abruptly breaks off the masque , aware suddenly of the ' foul conspiracy / Of the beast Caliban and his con- federates ' [ IV . i . 139-40 ] . But , before turning to that busi- ness , he takes time to deliver one of the ...
Inhalt
Cymbeline | 1 |
Pericles | 127 |
The Tempest | 185 |
Urheberrecht | |
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