Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 26Gale Research Company, 1984 |
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Seite 22
... face West at the next ; or better still must contrive to scatter the favour of his countenance over a wide radius . In practice two things emerge : the naturalness and expres- siveness of the group is more important than the face of any ...
... face West at the next ; or better still must contrive to scatter the favour of his countenance over a wide radius . In practice two things emerge : the naturalness and expres- siveness of the group is more important than the face of any ...
Seite 163
... face make up for the one black face in the cast ) . The point about the play is that without real clowning it is not really funny . It is obvious that in the original perfor- mance there would have been real clowns playing the two ...
... face make up for the one black face in the cast ) . The point about the play is that without real clowning it is not really funny . It is obvious that in the original perfor- mance there would have been real clowns playing the two ...
Seite 168
... face of mine " sounded uncomfortably like a de- scription of his white clown's face , there was genuine pa- thos in the final reunion , and real joy in the Abbess ' " such Nativity ! " The neatest touch in the whole production , however ...
... face of mine " sounded uncomfortably like a de- scription of his white clown's face , there was genuine pa- thos in the final reunion , and real joy in the Abbess ' " such Nativity ! " The neatest touch in the whole production , however ...
Inhalt
Alls Well That Ends Well | 1 |
The Comedy of Errors | 135 |
Twelfth Night | 196 |
Urheberrecht | |
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acting actors actress Adriana Aguecheek All's Antipholus audience Barton beautiful Bertram cast century Cesario character clown Comedy of Errors comic costumes Countess court Covent Garden critics Diana director dramatic dress Dromio Drury Lane duction Duke Elizabethan Ephesus Fabian farce Feste Feste's Festival fool funny Gray's Inn Guthrie Hall Helena heroine Illyria Irving John jokes Kemble King Lafeu laugh Lavatch lines London look Malvolio mance Maria Michael Miss modern never Old Vic Olivia Orsino Parolles Peggy Ashcroft performance Peter play's plot praised production of Twelfth review date review of Twelfth revival Richard role romantic Royal Shakespeare Company scene Sebastian seems seen sense Shake Shakespeare Memorial Theatre Sir Andrew Sir Toby Belch song SOURCE speare speare's speech stage Stratford Stratford-upon-Avon Syracuse theatre theatrical tion Trevor Nunn turn Twelfth Night twins Tyrone Guthrie Viola William words young Zoë Wanamaker