HamletPenguin, 03.05.2016 - 208 Seiten The acclaimed Pelican Shakespeare series, now in a dazzling new series design Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition Gold Medal Winner of the 3x3 Illustration Annual No. 14 This edition of Hamlet is edited with an introduction by series editor A. R. Braunmuller and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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Seite xiii
... hand, were entirely composed of boys aged about eight to sixteen, who were, or could pretend to be, candidates for singers in a church or a royal boys' choir. (Until 1660, professional theatrical companies included no women.) The ...
... hand, were entirely composed of boys aged about eight to sixteen, who were, or could pretend to be, candidates for singers in a church or a royal boys' choir. (Until 1660, professional theatrical companies included no women.) The ...
Seite xxv
... hand may (and even this is much disputed) exist: a few pages of a play called Sir Thomas More, which apparently was never performed. What we do have, as later readers, performers, scholars, students, are printed texts. The earliest of ...
... hand may (and even this is much disputed) exist: a few pages of a play called Sir Thomas More, which apparently was never performed. What we do have, as later readers, performers, scholars, students, are printed texts. The earliest of ...
Seite xxvii
... hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O be some other name! What's in a name? That which we call a rose By any other name would smell as sweet. And here is the First Folio (1623): What's Mountague it.
... hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O be some other name! What's in a name? That which we call a rose By any other name would smell as sweet. And here is the First Folio (1623): What's Mountague it.
Seite xxviii
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Seite xxxix
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