Shakespearean Criticism, Band 52Michelle Lee, Kathy D. Darrow Gale Research International, Limited, 2000 - 420 Seiten Annotation For a convenient introduction to Shakespearean topics, plays and poems, start with this authoritative resource. Beginning with Volume 27, this illustrated series focuses on criticism published after 1960 and provides the reader with a thematic approach to Shakespeare's works. An introduction, criticism, annotated bibliography and cumulative index to topics help users organize their research, making diligent inquiry quick and easy. The series also offers an annual compilation of essays that represent the year's most noteworthy contributions to Shakespearean scholarship. |
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... paradox . But she still believes that we can find harmony rather than opposition between the dramatic power of the play and the moral truth that we hold apart from the play . Her argument is ingenious . Because paradox ' questions re ...
... paradox . But she still believes that we can find harmony rather than opposition between the dramatic power of the play and the moral truth that we hold apart from the play . Her argument is ingenious . Because paradox ' questions re ...
Seite 312
... paradoxes - or specifically semantic para- doxes , which turn on questions of meaning and truth - I single out the paradox of the liar , because it concerns most directly the question of the validity of utterance . Though medieval and ...
... paradoxes - or specifically semantic para- doxes , which turn on questions of meaning and truth - I single out the paradox of the liar , because it concerns most directly the question of the validity of utterance . Though medieval and ...
Seite 313
... paradox could be made more explicit so that it allows no such exceptions . And the paradox about " this very sen- tence " is already as explicit as it could be . But Wilson's evasion is symptomatic of what we may be tempted to do with ...
... paradox could be made more explicit so that it allows no such exceptions . And the paradox about " this very sen- tence " is already as explicit as it could be . But Wilson's evasion is symptomatic of what we may be tempted to do with ...
Inhalt
Morality in Shakespeares Works | 1 |
Richard II | 107 |
Richard III | 195 |
Urheberrecht | |
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action Alcibiades Anne Anne's Antony Apemantus appears Arden argues audience authority auxesis bastard becomes body Bolingbroke Buckingham Cambridge character chard Claudius comedy conscience Coriolanus critics crown curse death deformity divine dramatic Duke edition Edward Elizabeth Elizabethan England English essay date evil father figure friends Gaunt gift economy give Hamlet hath Henry Henry VI Henry's Holinshed human Iago illegitimacy John kind King Lear King Richard lines London Lord Macbeth Machiavelli marriage meaning Measure for Measure ment metaphor misanthrope moral plays mother murder nature Othello paradox play's Poet political Prince Prospero Queen Renaissance rhetorical Rich Richmond role royal says scene seems sense sexual Shakespeare shame social soliloquy soul speak speech stage suggest symbol synecdoche Tempest theatrical thee theme things thou throne Timon of Athens tion tragedy tragic Tudor Univ University Press Vice virtue words York