Lectures on Art1880 |
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Academy admirable alluded allusions altogether ancient ancient Greece antique appears artist beauty become Behnes believe belonging called carried Chantrey character Colour convey Croesus difficult discourse drapery effect Egyptian endeavour examples excellence existing expression fact fancy feeling figure Flaxman genius give Gothic Art hand head Herodotus HISTORY OF SCULPTURE human Ideal ideal Art ideas Iliad imagination imitation impression instance Jupiter kind labour lecture less look Lord Derby manner marble master Mausolus means ment Michael Angelo mind modern Nature never object opinion painter Painting Patroclus peculiarities perhaps Phidias Plato Pliny portrait portraiture Praxiteles principles purpose question racter Realism reason recollect represented Reynolds Royal Academy Sculpture seems serve Sir Joshua Sir Joshua Reynolds Socrates speak statue student style Taste tell things thought tion true truth whilst whole words writings