Quite from their fixture? O, when degree is shak'd, Which is the ladder of all high designs, The enterprize' is sick! How could communities, Prerogative of age, crowns, sceptres, laurels, shady groves of noble palm-tree sprays, 66 66 Self-arching, in a thousand arbours grew. 66 Birds marrying their sweet tunes to the angels' lays, Sung Adam's bliss, and their great Maker's praise." The subject of Milton's larger poem would naturally have led him to read this description in Sylvester. The quotation from him I owe to Dr. Farmer. Shakspeare calls a harmony of features, married lineaments, in Romeo and Juliet, Act I. Sc. III. p. 39. See note on this passage. STEEVENS. 6- O, when degree is shak'd,] I would read: So, when degree is shak'd. JOHNSON. 7 THE enterprize-] Perhaps we should read: Then enterprize is sick! JOHNSON. 8-brotherhoods in cities,] Corporations, companies, confraternities. JOHNSON. 9 —DIVIDABLE shores,] i. e. divided. So, in Antony and Cleopatra, our author uses corrigible for corrected. son has the same observation. STEEVENS. I 66 Mr. M. Ma — MERE oppugnancy:] Mere is absolute. So, in Hamlet: 66 2 And make a sop of all this solid globe :] So, in King Lear: I'll make a sop o'the moonshine of you." STEEvens. In a former speech a boat is said to be made a toast for Neptune. BLAKEWAY. Strength should be lord of imbecility, And the rude son should strike his father dead: And appetite, an universal wolf, So doubly seconded with will and power, 3 And this neglection of degree it is, 4 That by a pace goes backward, with a purpose And 'tis this fever that keeps Troy on foot, 3 this NEGLECTION-] This uncommon word occurs again in Pericles, 1609: 66 -if neglection "Should therein make me vile" MALONE. 4 That by a pace-] That goes backward step by step.. 5 with a purpose JOHNSON! It hath to climb.] With a design in each man to aggrandize himself, by slighting his immediate superior. JOHNSON. Thus the quarto. Folio-in a purpose. MALONE. 6-bloodless emulation:] An emulation not vigorous and active, but malignant and sluggish. JOHNSON. AGAM. The nature of the sickness found, Ulysses, What is the remedy? ULYSS. The great Achilles,-whom opinion crowns The sinew and the forehand of our host,- Grows dainty of his worth, and in his tent Lies mocking our designs: With him, Patroclus, Upon a lazy bed the livelong day Breaks scurril jests; And with ridiculous and aukward action (Which, slanderer, he imitation calls,) He pageants us. Sometime, great Agamemnon, And, like a strutting player,-whose conceit 7 2 Our POWER -] i. e. our army. So, in another of our author's plays: 8 "Who leads his power?" STEEVENS. his AIRY fame,] Verbal elogium; what our author, in Macbeth, has called mouth honour. See p. 258, note. MALONE. 9 Thy TOPLESS deputation] Topless is that which has nothing topping or overtopping it; supreme; sovereign. JOHNSON. So, in Dr. Faustus, 1604 : "Was this the face that launch'd a thousand ships, "And burnt the topless towers of Ilium ?" Again, in The Blind Beggar of Alexandria, 1598: "And topless honours be bestow'd on thee." STEEVENS, 'Twixt his stretch'd footing and the SCAFFOLDAGE,] The galleries of the theatre, in the time of our author, were sometimes termed the scaffolds. See The Account of the Ancient Theatres, vol. iii. MALONE. 2 -- O'ER-WRESTED seeming-] i. e. wrested beyond the truth; overcharged. Both the old copies, as well as all the modern editions, have-o'er-rested, which affords No meaning. 66 The same error is found in Look To It for I'l Stabbe You, 1604: Lawyers that rest the law to your affection." MALONE. Over-wrested is-wound up too high. A wrest was an instru He acts thy greatness in: and when he speaks, 'Tis like a chime a mending; with terms un squar❜d *, Which, from the tongue of roaring Typhon dropp'd, Now play me Nestor ;-hem, and stroke thy beard, That's done ; -as near as the extremest ends And then, forsooth, the faint defects of age 6 Shake in and out the rivet :-and at this sport, ment for tuning a harp, by drawing up the strings. See Mr. Douce's note on Act III. Sc. III. STEEvens. 3-a chime a mending;] To this comparison the praise of originality must be allowed. He who, like myself, has been in the tower of a church while the chimes were repairing, will never wish a second time to be present at so dissonantly noisy an operation. STEEVENS. 4 - unsquar'd,] i. e. unadapted to their subject, as stones are unfitted to the purposes of architecture, while they are yet unsquar'd. STEEVENS. 5 as near as the extremest ends Of PARALLELS ;] The parallels to which the allusion seems to be made, are the parallels on a map. As like as east to west. JOHNSON. 6 -a palsy-fumbling-] Old copies give this as two distinct words. But it should be written-palsy-fumbling, i. e. paralytick fumbling. TYRWHITT. On seems to be used for-at. So, p. 276: "Pointing on him." i. e. at him. STEEVENS. In pleasure of my spleen. And in this fashion, (A slave, whose gall coins slanders like a mint 1,) To match us in comparisons with dirt; To weaken and discredit our exposure, How rank soever rounded in with danger 2. Count wisdom as no member of the war; 7 All our abilities, gifts, natures, shapes, Severals and generals of GRACE EXACT, Achievements, plots, &c.] All our good grace exact, means our excellence irreprehensible. JOHNSON. 8 -to make PARADOXES.] Paradoxes may have a meaning, but it is not clear and distinct. I wish the copies had given : to make parodies." 9 66 bears his head JOHNSON. In such a rein,] That is, holds up his head as haughtily. We still say of a girl, she bridles. JOHNSON. I whose gall coins slanders like a mint,] i. e. as fast as a mint coins money. MALONE. 2 HOW RANK Soever rounded in with danger.] A rank weed is a high weed. The modern editions silently read: 66 66 "How hard soever." JOHNSON. rounded in with danger." So, in King Henry V. : How dread an army hath enrounded him." STEEVENS. |