Analytic Elocution Containing Studies, Theoretical and Practical, of Expressive SpeechVan Antwerp, Bragg & Company, 1884 - 504 Seiten |
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Seite vi
... Downward Movement in Diatonic Melody Wider Downward Movements The Semitone XX . - Uses of the Wave in Expression The Wave of the Second The Unequal Wave The Double and Continued Waves 219 220 222 229 232 236 239 242 247 250 252 253 XXI ...
... Downward Movement in Diatonic Melody Wider Downward Movements The Semitone XX . - Uses of the Wave in Expression The Wave of the Second The Unequal Wave The Double and Continued Waves 219 220 222 229 232 236 239 242 247 250 252 253 XXI ...
Seite vii
... Downward XXIII . — Expressive Melody ; Sentential Pitch ; Transition in 274 · 276 Pitch • Sentential Pitch 281 · 283 Transition in Pitch • General Divisions in Pitch XXIV . - Force Examples . XXV . - Stress - Radical XXVI . - Final ...
... Downward XXIII . — Expressive Melody ; Sentential Pitch ; Transition in 274 · 276 Pitch • Sentential Pitch 281 · 283 Transition in Pitch • General Divisions in Pitch XXIV . - Force Examples . XXV . - Stress - Radical XXVI . - Final ...
Seite 13
... downward and outward , and thus making room for the increased body of the inflated lungs . In expiration , the muscle recovers its former position , thus pushing or pressing against the lungs , and driving the air out . It has been ...
... downward and outward , and thus making room for the increased body of the inflated lungs . In expiration , the muscle recovers its former position , thus pushing or pressing against the lungs , and driving the air out . It has been ...
Seite 26
... downward , with varying degrees of force . The movements should be in accordance with the swell and stroke of vocal action in expulsion , explosion , and effusion , voice and action keeping time together . CHAPTER III . Pitch . 25. THE ...
... downward , with varying degrees of force . The movements should be in accordance with the swell and stroke of vocal action in expulsion , explosion , and effusion , voice and action keeping time together . CHAPTER III . Pitch . 25. THE ...
Seite 27
... downward , while the bow is drawn , a mewing sound will be heard . The sound thus produced will be continuous , and will end at either a higher or lower pitch than that at which it began , according as the finger is slid ( 27 ) -Pitch.
... downward , while the bow is drawn , a mewing sound will be heard . The sound thus produced will be continuous , and will end at either a higher or lower pitch than that at which it began , according as the finger is slid ( 27 ) -Pitch.
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Analytic Elocution: Containing Studies, Theoretical and Practical, of ... James Edward Murdoch Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
abrupt accent action articulation aspiration ATONIC ELEMENTS beauty breath cadence called character constituents crete degree diaphragm diatonic melody dipthongal discrete distinct downward effect emotion emphasis emphatic employed equable example exercise explosion expression extended falsetto fifth final stress force forcible give given glottis hath heard heart heaven human voice illustrate indefinite syllables interrogative intonation Julius Cæsar King language larynx lips Lord lungs marked measure median stress ment mind moderate monotone mouth movement muscles notation octave open vowel opening organs orotund passion pause peculiar phatic phrases position practice preceding produced quantity radical and vanish radical pitch radical stress rapid rising and falling rising concrete semitone sense sentence SHAKESPEARE song speaking speech student subtonic Table thee third thou thought tion tone tongue tonic elements tonic sounds tremor tritone unaccented utterance vocal vocule voice vowel whisper wider intervals words
Beliebte Passagen
Seite 135 - There, held in holy passion still, Forget thyself to marble, till With a sad leaden downward cast Thou fix them on the earth as fast. And join with thee calm Peace, and Quiet, Spare Fast, that oft with gods doth diet...
Seite 476 - You have the Pyrrhic dance as yet, Where is the Pyrrhic phalanx gone? Of two such lessons, why forget The nobler and the manlier one?
Seite 341 - Let me play the fool : With mirth and laughter let old wrinkles come, . And let my liver rather heat with wine Than my heart cool with mortifying groans. Why should a man, whose blood is warm within, Sit like his grandsire cut in alabaster...
Seite 296 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
Seite 464 - It shall blossom abundantly, and rejoice even with joy and singing: The glory of Lebanon shall be given unto it, the excellency of Carmel and Sharon ; ^ They shall see the glory of the LORD, and the excellency of our God.
Seite 358 - THE cock is crowing, The stream is flowing, The small birds twitter, The lake doth glitter, The green field sleeps in the sun ; The oldest and youngest Are at work with the strongest ; The cattle are grazing, Their heads never raising ; There are forty feeding like one ! Like an army defeated The Snow hath retreated, And now doth fare ill On the top of the bare hill...
Seite 295 - Then sing, ye Birds, sing, sing a joyous song! And let the young Lambs bound As to the tabor's sound! We in thought will join your throng, Ye that pipe and ye that play, Ye that through your hearts today Feel the gladness of the May!
Seite 461 - ... and bring hither the fatted calf, and kill it; and let us eat, and be merry: for this my son was dead, and is alive again; he was lost, and is found.
Seite 463 - Hast thou given the horse strength ? Hast thou clothed his neck with thunder ? Canst thou make him afraid as a grasshopper ? The glory of his nostrils is terrible. He paweth in the valley, and rejoiceth in his strength : He goeth on to meet the armed men. He mocketh at fear, and is not affrighted ; Neither turneth he back from the sword.
Seite 163 - The clear conception, outrunning the deductions of logic, the high purpose, the firm resolve, the dauntless spirit, speaking on the tongue, beaming from the eye, informing every feature, and urging the whole man onward, right onward to his object — this, this is eloquence; or rather it is something greater and higher than all eloquence, it is action, noble, sublime, godlike action/ In July 1776, the controversy had passed the stage of argument.