The Tragedie of Julius CaesarClassic Books Company, 2001 - 500 Seiten The First Folio of 1623 was prepared for print by two members of Shakespeare's acting troupe -- John Hemings and Henry Condell -- which included comic actor Will Kemp and the great tragedian Richard Burbage. In a fascinating and detailed introduction, Freeman points out that because Shakespeare and his colleagues wrote from a rhetorical tradition -- a society where the emphasis was on the spoken word -- he wrote with an eye to how he wanted his plays performed, giving as much direction as possible to his actors. Freeman looks at what is known of the printing of that First Folio and analyzes the variations between the First Folio, later Folios, Quarto editions (where available) and modern editions of the plays. He examines the "corrections" made by editors over the centuries that have shaped the way we perceive Shakespeare today -- from the regularization of verse, to the changes from prose to verse (and vice versa) and the standardization of character prefixes. |
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... Mark Antony on the death of Caesar, and, though Weever does not mention Shakespeare's play, his use of the word 'ambitious' as that of Brutus, and his saying how Mark Antony by his eloquence showed Caesar's virtues, point pretty clearly ...
... Mark Antony on the death of Caesar, and, though Weever does not mention Shakespeare's play, his use of the word 'ambitious' as that of Brutus, and his saying how Mark Antony by his eloquence showed Caesar's virtues, point pretty clearly ...
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... Mark Hunter: Note that the tribunes of the people are no longer demagogues as they are in Coriol. They have not the ... Antony, exile Coriolanus, and proclaim Laertes king to console him for the death of his father slain by Hamlet ...
... Mark Hunter: Note that the tribunes of the people are no longer demagogues as they are in Coriol. They have not the ... Antony, exile Coriolanus, and proclaim Laertes king to console him for the death of his father slain by Hamlet ...
Seite 31
... Mark Hunter: It is plain that Cassius' vehemence, his outspoken envy, do not and cannot appeal to a person of Brutus ... Antony is,' his whole conversation glancing at Antony as standing for all Brutus is opposed to. . . . 'Antony,' says ...
... Mark Hunter: It is plain that Cassius' vehemence, his outspoken envy, do not and cannot appeal to a person of Brutus ... Antony is,' his whole conversation glancing at Antony as standing for all Brutus is opposed to. . . . 'Antony,' says ...
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action Antony appears bear better blood body Brutus Brutus's Caesar called Casca Cassius cause Ccefar character Cicero Coll common Compare Craik danger death doth doubt Dyce edition effect enemies Enter examples expression eyes fact fall feare feeling fire Folio fome give given hand hath haue heare heart hold honour Hunter Johns Julius live look March Mark meaning mind nature never night noble once passage perhaps person play Plutarch poet Pope present quotes reason reference regard remarks Roman Rome Rowe says scene seems Senate sense Shakespeare speak speech spirit stand sword taken tell thee Theob things thofe thou thought tragedy true unto Varr Warb whole wrong