Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 44Gale Research Company, 1984 - 467 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: psychoanalytic criticism, Hamlet, and Macbeth. - Publisher. |
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Seite 110
... gives the audience all the information it could desire , and gives it neatly . The direct source of both informa- tion and orderliness is Claudius , who addresses him- self one by one to the groups on the stage and to the problems of ...
... gives the audience all the information it could desire , and gives it neatly . The direct source of both informa- tion and orderliness is Claudius , who addresses him- self one by one to the groups on the stage and to the problems of ...
Seite 236
... gives us a hero who is summoned to remember his heritage , to live out his human destiny , and whose wish is to decline . For whatever may be said or not said about Hamlet's role as a revenger , his dissatisfaction with the role of man ...
... gives us a hero who is summoned to remember his heritage , to live out his human destiny , and whose wish is to decline . For whatever may be said or not said about Hamlet's role as a revenger , his dissatisfaction with the role of man ...
Seite 338
... gives at the end of Act IV fails to shock us . We don't believe in witches . If we revere the monarchy it is in a very different way from what folk felt about it in 1605 . Perhaps we don't really believe in evil - few of us , to be sure ...
... gives at the end of Act IV fails to shock us . We don't believe in witches . If we revere the monarchy it is in a very different way from what folk felt about it in 1605 . Perhaps we don't really believe in evil - few of us , to be sure ...
Inhalt
Psychoanalytic Interpretations of Shakespeares Works | 1 |
Hamlet | 106 |
Macbeth | 260 |
Urheberrecht | |
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A. C. Bradley action argues audience Banquo becomes blood body character Claudius Claudius's comedies conflict consciousness Coppélia Coriolanus Coriolanus's crime critics Cymbeline death deed Desdemona desire destruction dramatic dream Duncan Elizabethan emotional essay evil experience Falstaff fantasy father fear feeling female feminine Fortinbras Freud gender Gertrude Gertrude's ghost gives grief guilt Hamlet Hazael Helena hell hero Horatio human Iago identity imagination interpretation kill King Lear Lady Macbeth Laertes Leontes London Macduff male marriage masculine maternal means mind moral mother murder nature oedipal Ophelia Othello passion play play's Polonius Posthumus prophecy psychic psychoanalytic psychological question relationship Renaissance represents revenge Richard Richard III role says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speare's speech stage suggests superego thee things thou thought tion tragedy tragic unconscious Weird Sisters wife Winter's Tale witches woman women words York