Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 44Gale Research Company, 1984 - 467 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: psychoanalytic criticism, Hamlet, and Macbeth. - Publisher. |
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Seite 99
... figure that appears throughout Shakespeare's plays and is central to his art - that of the boy actor , the vehicle of an extraordi- nary range of verbal ingenuity and at the same time a figure of ambiguous sexual identity . Generally ...
... figure that appears throughout Shakespeare's plays and is central to his art - that of the boy actor , the vehicle of an extraordi- nary range of verbal ingenuity and at the same time a figure of ambiguous sexual identity . Generally ...
Seite 250
... figure ( or fig- ures of speech or emblematic figures ) and what rela- tionship exists between a so - called figure and any other sort of reality . The ghost appears " as Hamlet Sr. " and from the outset of the play questions what it ...
... figure ( or fig- ures of speech or emblematic figures ) and what rela- tionship exists between a so - called figure and any other sort of reality . The ghost appears " as Hamlet Sr. " and from the outset of the play questions what it ...
Seite 387
... figure 6 : 37 , 51 , 71 , 92 , 94 , 178 , 192 ; 27 : 110 as tragic heroine 6 : 53 , 120 , 151 , 192 , 208 ; 27 : 144 as voluptuary or courtesan 6 : 21 , 22 , 25 , 41 , 43 , 52 , 53 , 62 , 64 , 67 , 76 , 146 , 161 Cloten Cymbeline 4 : 20 ...
... figure 6 : 37 , 51 , 71 , 92 , 94 , 178 , 192 ; 27 : 110 as tragic heroine 6 : 53 , 120 , 151 , 192 , 208 ; 27 : 144 as voluptuary or courtesan 6 : 21 , 22 , 25 , 41 , 43 , 52 , 53 , 62 , 64 , 67 , 76 , 146 , 161 Cloten Cymbeline 4 : 20 ...
Inhalt
Psychoanalytic Interpretations of Shakespeares Works | 1 |
Hamlet | 106 |
Macbeth | 260 |
Urheberrecht | |
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A. C. Bradley action argues audience Banquo becomes blood body character Claudius Claudius's comedies conflict consciousness Coppélia Coriolanus Coriolanus's crime critics Cymbeline death deed Desdemona desire destruction dramatic dream Duncan Elizabethan emotional essay evil experience Falstaff fantasy father fear feeling female feminine Fortinbras Freud gender Gertrude Gertrude's ghost gives grief guilt Hamlet Hazael Helena hell hero Horatio human Iago identity imagination interpretation kill King Lear Lady Macbeth Laertes Leontes London Macduff male marriage masculine maternal means mind moral mother murder nature oedipal Ophelia Othello passion play play's Polonius Posthumus prophecy psychic psychoanalytic psychological question relationship Renaissance represents revenge Richard Richard III role says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speare's speech stage suggests superego thee things thou thought tion tragedy tragic unconscious Weird Sisters wife Winter's Tale witches woman women words York