Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 44Gale Research Company, 1984 - 467 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: psychoanalytic criticism, Hamlet, and Macbeth. - Publisher. |
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Seite 16
... effect , each of the lovers avoids self - hate by receiv- ing love of self from another . The realistic dynamics of character work out both the unconscious , nonreal- istic pattern ( the unsuccessful splitting of love from hate ) and ...
... effect , each of the lovers avoids self - hate by receiv- ing love of self from another . The realistic dynamics of character work out both the unconscious , nonreal- istic pattern ( the unsuccessful splitting of love from hate ) and ...
Seite 161
... effect by denying that women have any- thing to do with these explorations , ultimately by de- nying the complications that the mother poses for the father - son relationship . Before Hamlet , this relation- ship tends to be enacted in ...
... effect by denying that women have any- thing to do with these explorations , ultimately by de- nying the complications that the mother poses for the father - son relationship . Before Hamlet , this relation- ship tends to be enacted in ...
Seite 206
... effect , the distance between on - stage narration and off - stage action . The sequence opens on a close - up of Jean Simmons ' Oph- elia , with her voice - over recounting the scene with Hamlet that we now see mimed in visual present ...
... effect , the distance between on - stage narration and off - stage action . The sequence opens on a close - up of Jean Simmons ' Oph- elia , with her voice - over recounting the scene with Hamlet that we now see mimed in visual present ...
Inhalt
Psychoanalytic Interpretations of Shakespeares Works | 1 |
Hamlet | 106 |
Macbeth | 260 |
Urheberrecht | |
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A. C. Bradley action argues audience Banquo becomes blood body character Claudius Claudius's comedies conflict consciousness Coppélia Coriolanus Coriolanus's crime critics Cymbeline death deed Desdemona desire destruction dramatic dream Duncan Elizabethan emotional essay evil experience Falstaff fantasy father fear feeling female feminine Fortinbras Freud gender Gertrude Gertrude's ghost gives grief guilt Hamlet Hazael Helena hell hero Horatio human Iago identity imagination interpretation kill King Lear Lady Macbeth Laertes Leontes London Macduff male marriage masculine maternal means mind moral mother murder nature oedipal Ophelia Othello passion play play's Polonius Posthumus prophecy psychic psychoanalytic psychological question relationship Renaissance represents revenge Richard Richard III role says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speare's speech stage suggests superego thee things thou thought tion tragedy tragic unconscious Weird Sisters wife Winter's Tale witches woman women words York