Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 44Gale Research Company, 1984 - 467 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: psychoanalytic criticism, Hamlet, and Macbeth. - Publisher. |
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Seite xii
... Beginning with Volume 11 , the series focuses on the history of Shakespeare's plays on the stage and in important films . The Yearbooks reprint the most important critical pieces of the year as suggested by an advisory board of ...
... Beginning with Volume 11 , the series focuses on the history of Shakespeare's plays on the stage and in important films . The Yearbooks reprint the most important critical pieces of the year as suggested by an advisory board of ...
Seite 51
... beginning maternal presence or absence , has yet to develop a story of the mother as other than the object of the infant's desire or the matrix from which he or she develops an infant subjectivity . The mother herself as speaking ...
... beginning maternal presence or absence , has yet to develop a story of the mother as other than the object of the infant's desire or the matrix from which he or she develops an infant subjectivity . The mother herself as speaking ...
Seite 117
... beginning , " For who would bear , " and the sound of one word , " bare , " from the end of the old . Moreover ... beginning of every other line . The last lines are relevant to Hamlet's behavior in the play at large and therefore have ...
... beginning , " For who would bear , " and the sound of one word , " bare , " from the end of the old . Moreover ... beginning of every other line . The last lines are relevant to Hamlet's behavior in the play at large and therefore have ...
Inhalt
Psychoanalytic Interpretations of Shakespeares Works | 1 |
Hamlet | 106 |
Macbeth | 260 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action argues audience Banquo becomes blood body character Claudius Claudius's comedies conflict consciousness Coppélia Coriolanus Coriolanus's crime critics Cymbeline death deed Desdemona desire destruction dramatic dream Duncan Elizabethan emotional essay evil experience Falstaff fantasy father fear feeling female feminine Fortinbras Freud gender Gertrude Gertrude's ghost gives grief guilt Hamlet Hazael Helena hell hero Horatio human Iago identity imagination interpretation kill King Lear Lady Macbeth Laertes Leontes London Macduff male marriage masculine maternal means mind moral mother murder nature oedipal Ophelia Othello passion play play's Polonius Posthumus prophecy psychic psychoanalytic psychological question relationship Renaissance represents revenge Richard Richard III role says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speare's speech stage suggests superego thee things thou thought tion tragedy tragic unconscious Weird Sisters wife Winter's Tale witches woman women words York