Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 44Gale Research Company, 1984 - 467 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: psychoanalytic criticism, Hamlet, and Macbeth. - Publisher. |
Im Buch
Ergebnisse 1-3 von 82
Seite 193
... Ophelia " " ( 110 ) . The moment when Polonius expects to trap Hamlet's " hot love " ( 2.2.132 ) is the moment when Hamlet re- nounces it , breaking the bond with Ophelia by his reiterated " Farewell " ( 3.1.132 , 137 , 140 ) . His ...
... Ophelia " " ( 110 ) . The moment when Polonius expects to trap Hamlet's " hot love " ( 2.2.132 ) is the moment when Hamlet re- nounces it , breaking the bond with Ophelia by his reiterated " Farewell " ( 3.1.132 , 137 , 140 ) . His ...
Seite 206
... Ophelia and Gertrude . Olivier's filmed version literally puts Hamlet in visual place of Ophelia by flattening , in effect , the distance between on - stage narration and off - stage action . The sequence opens on a close - up of Jean ...
... Ophelia and Gertrude . Olivier's filmed version literally puts Hamlet in visual place of Ophelia by flattening , in effect , the distance between on - stage narration and off - stage action . The sequence opens on a close - up of Jean ...
Seite 252
... Ophelia and Gertrude , it is Gertrude who gives the last description of Ophelia as an art object . This seems appropriate , not only because of their comparable positions , but also because Gertrude's dispassionate description forces an ...
... Ophelia and Gertrude , it is Gertrude who gives the last description of Ophelia as an art object . This seems appropriate , not only because of their comparable positions , but also because Gertrude's dispassionate description forces an ...
Inhalt
Psychoanalytic Interpretations of Shakespeares Works | 1 |
Hamlet | 106 |
Macbeth | 260 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
A. C. Bradley action argues audience Banquo becomes blood body character Claudius Claudius's comedies conflict consciousness Coppélia Coriolanus Coriolanus's crime critics Cymbeline death deed Desdemona desire destruction dramatic dream Duncan Elizabethan emotional essay evil experience Falstaff fantasy father fear feeling female feminine Fortinbras Freud gender Gertrude Gertrude's ghost gives grief guilt Hamlet Hazael Helena hell hero Horatio human Iago identity imagination interpretation kill King Lear Lady Macbeth Laertes Leontes London Macduff male marriage masculine maternal means mind moral mother murder nature oedipal Ophelia Othello passion play play's Polonius Posthumus prophecy psychic psychoanalytic psychological question relationship Renaissance represents revenge Richard Richard III role says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speare's speech stage suggests superego thee things thou thought tion tragedy tragic unconscious Weird Sisters wife Winter's Tale witches woman women words York