Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 44Gale Research Company, 1984 - 467 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: psychoanalytic criticism, Hamlet, and Macbeth. - Publisher. |
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Seite 175
... Gertrude's crime was specifically against marriage . As usual with Gertrude , the matter is far from settled . 8 See Smith's fine discussion of the discrepancy be- tween the monstrously sensual Gertrude portrayed by Hamlet , the ghost ...
... Gertrude's crime was specifically against marriage . As usual with Gertrude , the matter is far from settled . 8 See Smith's fine discussion of the discrepancy be- tween the monstrously sensual Gertrude portrayed by Hamlet , the ghost ...
Seite 241
... Gertrude to be unchaste and unseemly , and while his use of the word " adulterate " indicates his very strong feelings about the marriage , it would not to an Elizabethan audience necessarily mean that he believed Gertrude to have been ...
... Gertrude to be unchaste and unseemly , and while his use of the word " adulterate " indicates his very strong feelings about the marriage , it would not to an Elizabethan audience necessarily mean that he believed Gertrude to have been ...
Seite 252
... Gertrude , it is Gertrude who gives the last description of Ophelia as an art object . This seems appropriate , not only because of their comparable positions , but also because Gertrude's dispassionate description forces an audience to ...
... Gertrude , it is Gertrude who gives the last description of Ophelia as an art object . This seems appropriate , not only because of their comparable positions , but also because Gertrude's dispassionate description forces an audience to ...
Inhalt
Psychoanalytic Interpretations of Shakespeares Works | 1 |
Hamlet | 106 |
Macbeth | 260 |
Urheberrecht | |
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A. C. Bradley action argues audience Banquo becomes blood body character Claudius Claudius's comedies conflict consciousness Coppélia Coriolanus Coriolanus's crime critics Cymbeline death deed Desdemona desire destruction dramatic dream Duncan Elizabethan emotional essay evil experience Falstaff fantasy father fear feeling female feminine Fortinbras Freud gender Gertrude Gertrude's ghost gives grief guilt Hamlet Hazael Helena hell hero Horatio human Iago identity imagination interpretation kill King Lear Lady Macbeth Laertes Leontes London Macduff male marriage masculine maternal means mind moral mother murder nature oedipal Ophelia Othello passion play play's Polonius Posthumus prophecy psychic psychoanalytic psychological question relationship Renaissance represents revenge Richard Richard III role says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speare's speech stage suggests superego thee things thou thought tion tragedy tragic unconscious Weird Sisters wife Winter's Tale witches woman women words York