Opera Buffa in Mozart's Vienna

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Assistant Professor of Art History Mary Hunter, Mary Kathleen Hunter, Mary Hunter, James Webster, Arthur Groos
Cambridge University Press, 27.11.1997 - 459 Seiten
This collection of essays, presented by an internationally known team of scholars, explores the world of Vienna and the development of opera buffa in the second half of the eighteenth century. Although today Mozart remains one of the most well-known figures of the period, the era was filled with composers, librettists, writers and performers who created and developed opera buffa. Among the topics examined are the relationship of Viennese opera buffa to French theatre; Mozart and eighteenth-century comedy; gender, nature and bourgeois society on Mozart's buffa stage; as well as close analyses of key works such as Don Giovanni and Le nozze di Figaro.
 

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Inhalt

VI
25
VII
50
IX
82
XI
98
XII
115
XIII
146
XV
165
XVI
197
XVIII
286
XIX
309
XX
311
XXI
340
XXII
378
XXIV
406
XXVI
426
XXVII
443

XVII
232

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