The Works of Shakespeare: Richard IIIMethuen, 1907 |
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Seite viii
... scenes . The fourth scene of Act III . includes scenes iv . - vii . as at present arranged . In Act IV . there are four scenes instead of five , scenes ii . and iii . being treated as one . The second scene of Act v . embraces scenes ii ...
... scenes . The fourth scene of Act III . includes scenes iv . - vii . as at present arranged . In Act IV . there are four scenes instead of five , scenes ii . and iii . being treated as one . The second scene of Act v . embraces scenes ii ...
Seite xxii
... scene between Richard and Lady Anne - a scene which has no foundation in fact , but is a most powerful demonstration of the personal influence of the hero on those round him . The interview with the Queen - xxii INTRODUCTION.
... scene between Richard and Lady Anne - a scene which has no foundation in fact , but is a most powerful demonstration of the personal influence of the hero on those round him . The interview with the Queen - xxii INTRODUCTION.
Seite xxvii
... scene where he accepts the crown from the citizens . He is an adept in the art of moralis- ing " two meanings in one word . " Examples of the Machia- velian tradition in English drama recur to the mind of every student . Richard , with ...
... scene where he accepts the crown from the citizens . He is an adept in the art of moralis- ing " two meanings in one word . " Examples of the Machia- velian tradition in English drama recur to the mind of every student . Richard , with ...
Seite xxviii
... , and praises his friend's sim- plicity of heart and face , of which he is doubtless ready to take the first advantage . But , in a moment , the fatuous self- complacence that has held us in suspense for two scenes xxviii INTRODUCTION.
... , and praises his friend's sim- plicity of heart and face , of which he is doubtless ready to take the first advantage . But , in a moment , the fatuous self- complacence that has held us in suspense for two scenes xxviii INTRODUCTION.
Seite xxix
William Shakespeare. complacence that has held us in suspense for two scenes , crumbles to pieces , when the protector ... scene is a tour de force ; and the illusion which it produces is rather too violent to be entirely successful . But ...
William Shakespeare. complacence that has held us in suspense for two scenes , crumbles to pieces , when the protector ... scene is a tour de force ; and the illusion which it produces is rather too violent to be entirely successful . But ...
Häufige Begriffe und Wortgruppen
Aldis Aldis Wright Anne Bishop blood Brakenbury brother Buck Buckingham Camb Capell Cates Catesby Clar Clarence conj Craig curse daughter death Dict Dorset doth Duch Duke Dyce Earl editor of F Edward Eliz Elizabeth Enter Exeunt Exit fear Ff reading Fletcher give Glou Gloucester grace Grey Hanmer hath haue heart heaven Henry IV Henry VI Holinshed hyphened John Johnson Julius Cæsar King Lear King Richard line as Qq Lord Hastings Lord Qq Madam Malone Margaret meaning Measure for Measure mother Murd murder night noble Norfolk omitted Ff omitted Pope omitted Qq omitted Qq 3-8 Othello passage play prince probably quartos queen quotes Ratcliff Rich Richard III Richm Richmond Romeo and Juliet royal SCENE sense Shakespeare soul speak Steevens tell thee Theobald thou Tower Tragedy Troilus and Cressida Tyrrel unto word York ΙΟ
Beliebte Passagen
Seite 10 - And therefore, since I cannot prove a lover, To entertain these fair well-spoken days, — I am determined to prove a villain, And hate the idle pleasures of these days.
Seite 9 - I, that am curtail'd of this fair proportion, Cheated of feature by dissembling Nature, Deform'd, unfinish'd, sent before my time Into this breathing world scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them...
Seite 198 - What! do I fear myself? there's none else by Richard loves Richard; that is, I am I. Is there a murderer here? No. Yes; I am: Then fly: what! from myself? Great reason why; Lest I revenge. What! myself upon myself? Alack! I love myself. Wherefore? for any good That I myself have done unto myself? O! no: alas! I rather hate myself For hateful deeds committed by myself.
Seite 208 - Slave, I have set my life upon a cast, And I will stand the hazard of the die: I think, there be six Richmonds in the field ; Five have I slain to-day, instead of him: — A horse ! a horse ! my kingdom for a horse ! [Exeunt.
Seite 8 - Our bruised arms hung up for monuments; Our stern alarums changed to merry meetings, Our dreadful marches to delightful measures. Grim-visaged war hath smooth'd his wrinkled front; And now, instead of mounting barbed steeds, To fright the souls of fearful adversaries, He capers nimbly in a lady's chamber, To the lascivious pleasing of a lute.
Seite 47 - But then I sigh, and with a piece of Scripture, Tell them — that God bids us do good for evil ; And thus I clothe my naked villany With old odd ends, stolen forth of holy writ ; And seem a saint, when most I play the devil.
Seite 198 - My conscience hath a thousand several tongues, And every tongue brings in a several tale, And every tale condemns me for a villain. Perjury, perjury, in the high'st degree; Murder, stern murder in the dir'st degree; All several sins, all us'd in each degree, Throng to the bar, crying all, 'Guilty, guilty!
Seite 29 - I'll have her, but I will not keep her long. What ! I, that kill'd her husband and his father, To take her in her heart's...
Seite 50 - All scatter'd in the bottom of the sea. Some lay in dead men's skulls; and, in those holes Where eyes did once inhabit, there were crept (As 'twere in scorn of eyes,) reflecting gems, That woo'd the slimy bottom of the deep, And mock'd the dead bones that lay scatter'd by.
Seite 51 - With that grim ferryman which poets write of, Unto the kingdom of perpetual night. The first that there did greet my stranger soul, Was my great father-in-law, renowned Warwick ; Who cried aloud, " What scourge for perjury Can this dark monarchy afford false Clarence...