Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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... symbolic doubleness and developed into one of the most imaginatively potent ver- bal and visual motifs in the play . In Romeo and Juliet and Julius Caesar , there was the hand of love and the hand of hate , the hand that unites and the ...
... symbolic doubleness and developed into one of the most imaginatively potent ver- bal and visual motifs in the play . In Romeo and Juliet and Julius Caesar , there was the hand of love and the hand of hate , the hand that unites and the ...
Seite 126
... Symbolic Sexual In- version and Political Disorder in Early Modern Europe , " in The Reversible World : Symbolic Inversion in Art and Society ( 1978 ) ] , the nature of political rule and the newer problem of sovereignty were very much ...
... Symbolic Sexual In- version and Political Disorder in Early Modern Europe , " in The Reversible World : Symbolic Inversion in Art and Society ( 1978 ) ] , the nature of political rule and the newer problem of sovereignty were very much ...
Seite 230
... symbolic and associative possibility . The limitation comes from resting the analysis on the overly simple one- to - one symbolic equations so popular in the first exuber- ant years of applying psychoanalytic symbolism . Thus the snake ...
... symbolic and associative possibility . The limitation comes from resting the analysis on the overly simple one- to - one symbolic equations so popular in the first exuber- ant years of applying psychoanalytic symbolism . Thus the snake ...
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action actors Aeneas Aeneid Alonso Antonio appear Ariel audience Banquo become believe Caliban called Ceres character comedy critics death deed Demetrius demons described desire devil Dido dramatic Duncan effect Egeus Elizabethan England English essay date evil eyes fact fairies father fear feel Ferdinand figure ghost give Gonzalo hand Helena Hermia Hippolyta human imagination island kind King Lady Macbeth lines lovers Lysander Macduff magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature neoplatonic never Oberon occult Ovid Paracelsus peare's performance perhaps play play's plot Prospero Puck Queen question Renaissance role romance scene Sebastian seems sense sexual Shakes Shakespeare sleep speak speech spirits stage story suggests supernatural Sycorax symbolic Tempest theatrical thee Theseus things thou thought tion Titania tradition tragedy tragic vision Weird Sisters wife witchcraft witches woman women words